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A critical and commercial hit in Italy, Paolo Virzì’s classy recession-set melodrama gives spiritual anguish a topical makeover. A hit-and-run accident mires two families – one well-off, the other less so – in scandal, as revealed over three overlapping stories. It’s a timely tale, robustly told, with Virzì ably dissecting the effect a transactional culture has on the soul, and the difficulty of finding happiness without (and sometimes with) cold hard cash.
Shame that the plotting favours narrative intrigue over character depth, creating a film whose message is witnessed rather than felt.
Helldivers 2 devs are worried it's "tone deaf" to drop a new Warbond so soon after the whole PSN kerfuffle, so they're letting voters decide "in true democratic fashion"
The last Pokemon player has made the ultimate sign-off as 6 survivors hang on to keep the Wii U and 3DS servers alive
Dark Matter star Jimmi Simpson says Apple's new sci-fi series is his "favorite thing I've ever been a part of" and explains why he joined the cast of Westworld