Marvel's Spider-Man final boss fight was cut down to avoid crunching developers
Insomniac CEO Ted Price reveals how the final game changed
Weekly digests, tales from the communities you love, and more
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
GamesRadar+
Your weekly update on everything you could ever want to know about the games you already love, games we know you're going to love in the near future, and tales from the communities that surround them.
Every Thursday
GTA 6 O'clock
Our special GTA 6 newsletter, with breaking news, insider info, and rumor analysis from the award-winning GTA 6 O'clock experts.
Every Friday
Knowledge
From the creators of Edge: A weekly videogame industry newsletter with analysis from expert writers, guidance from professionals, and insight into what's on the horizon.
Every Thursday
The Setup
Hardware nerds unite, sign up to our free tech newsletter for a weekly digest of the hottest new tech, the latest gadgets on the test bench, and much more.
Every Wednesday
Switch 2 Spotlight
Sign up to our new Switch 2 newsletter, where we bring you the latest talking points on Nintendo's new console each week, bring you up to date on the news, and recommend what games to play.
Every Saturday
The Watchlist
Subscribe for a weekly digest of the movie and TV news that matters, direct to your inbox. From first-look trailers, interviews, reviews and explainers, we've got you covered.
Once a month
SFX
Get sneak previews, exclusive competitions and details of special events each month!
Marvel's Spider-Man developer Insomniac has revealed it drastically cut down the scale of the game's final boss fight so as to prevent crunching development staff.
Speaking recently in a keynote presentation at the Develop: Brighton conference in the U.K. (and as first reported by GamesIndustry.biz), Insomniac CEO Ted Price revealed the final boss fight of Marvel's Spider-Man underwent some dramatic changes. "Originally, we were going to have a boss battle that took you all over New York City, and it was way out of scope," Price began explaining.
"The temptation is to just brute force it, put our heads down and run through the brick wall. But the team took a step back and thought about what was important to the players, and that was the breakdown of the relationship between Peter and his former mentor, Doctor Octavious," the CEO continued. Price adds that because the development team was creative within the restraints they were given, they realized they didn't "need to destroy half of New York to pay off the relationship."
"As a result, the final battle is much more up close and personal, and has a far bigger emotional impact than planned -- and it fit within the time we had," Price concludes. Insomniac's CEO actually used his keynote speech at the Develop conference to hammer home the importance of finding a balance between "excellence and wellbeing," something that Price said is "a crucial goal" throughout all of Insomniac's projects.
This actually isn't the first time we've heard of counter-crunch initiatives at Insomniac. Earlier this year, two developers on Ratchet & Clank: Rift Apart celebrated a "completely crunch free" production on the sequel, saying that management actively encouraged the development team to avoid burnout and overworking. One game designer even wrote that they worked 40 hour weeks the entire time they were on the project, which was met with high praise by others.
Spider-Man PS5 tips | Spider-Man PS4 Easter Eggs | Spider-Man Black Cat challenges | Spider-Man PS4 suits | Spider-Man secret photo locations | Spider-Man PS4 ending | Spider-man daily bugle locations
Weekly digests, tales from the communities you love, and more

Hirun Cryer is a freelance reporter and writer with Gamesradar+ based out of U.K. After earning a degree in American History specializing in journalism, cinema, literature, and history, he stepped into the games writing world, with a focus on shooters, indie games, and RPGs, and has since been the recipient of the MCV 30 Under 30 award for 2021. In his spare time he freelances with other outlets around the industry, practices Japanese, and enjoys contemporary manga and anime.


