When we first meet Dean (Ryan Gosling) and Cindy (Michelle Williams), theyāre not in a happy place.
She bustles about the kitchen fixing breakfast for daughter Frankie (Faith Wladyka); he playfully goads the cuddly moppet into messy food games. He chides Cindy for getting cross; she can barely look at him. This marriage is buckling fast. The whys swiftly become clear.
Heās a carefree, drink-abusing house-painter with no ambition beyond being a good husband and father; sheās a hard-working obstetrics nurse whose rose-tinted visions of life were curtailed by her tyrannical father.
They meet in an old folksā home, the first of a plethora of flashbacks – the filmās only gimmick is mapping out the coupleās courtship over a period of several months while squeezing the present day into a 24-hour window.
Itās an elliptical divide that bears some dramatic fruit, skipping from the giddy euphoria of early love to the dark, reproachful gulf of now. But director/co-writer Derek Cianfranceās temporal fiddling still yields a somewhat repetitive contrast between joyous highs and wretched lows.
Watching this unionās death throes is a wrench, though, because the onscreen bond forged by Williams and Gosling is so deep, intimate and honest. Theirs feels like a relationship ripped straight from bluecollar reality, not the pages of a screenplay.
Gosling may get to be the devoted romantic while Williams can appear distant and cold. But Blue Valentine doesnāt play the blame game: love and its loss are never rational.
You might feel like averting your gaze at times, but donāt – performances this penetrating are a sight to see.

Blue Valentine review
One hell of a coupleā¦
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