A Cock And Bull Story review

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

According to Steve Coogan, Laurence Sterne's Tristram Shandy was "a post-modern classic written before there was any modern to be post about." Wrap your brain around that and you'll be prepared for Michael Winterbottom's deliriously entertaining film-within-a-film, which reflects the novel's playful, self-referential structure by twinning dramatised episodes from the book with the trials and tribulations of a cash-strapped crew trying to make sense of it.

Confused? You needn't be. Indeed, once you get the hang of Martin Hardy's clever script, the constant flip-flops between 'fact' and 'fiction' become utterly exhilarating. One moment Coogan is playing Tristram's father beneath a latex nose and powdered wig, the next he's in the make-up chair, bantering with presumptive co-star Rob Brydon. A conference call with Gillian Anderson segues effortlessly into an interlude from the novel, subsequently revealed to be Coogan's paranoid nightmare. And a discussion of Sterne's famous use of a black page to accompany the demise of a leading character is accompanied by - what else? - a momentary blackout.

Though close in style to Winterbottom's 24 Hour Party People, Cock And Bull is a quantum leap up from that 2002 effort. In fact, there are times when it approaches the level of the sublime - Coogan putting a hot chestnut down his trousers, for example, or being lowered into a giant womb for Tristram's 'birth' (trust us, you really have to be there...). Tour de force doesn't really cover it - although after Coogan's recent Hollywood adventures, the sex scandal which threatens to disrupt both the shoot and his marriage seems uncomfortably apposite.

Yes, the ending's a little on the abrupt side, while some actors inevitably get a rawer deal than others. But you'd have to go back to 1973's Day For Night - or maybe Extras - to see the movie-making process so wonderfully skewered. Who knew Eng Lit could be such fun?

Ingenious, hilarious and often intellectually rigorous, this spirited and anarchic comedy is a welcome return to form for Winterbottom.

More info

Available platformsMovie
Less

The Total Film team are made up of the finest minds in all of film journalism. They are: Editor Jane Crowther, Deputy Editor Matt Maytum, Reviews Ed Matthew Leyland, News Editor Jordan Farley, and Online Editor Emily Murray. Expect exclusive news, reviews, features, and more from the team behind the smarter movie magazine.