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Re-dubbed from the original Mexican, this feature-length frolic for Hanna-Barbera’s felonious feline had only a few pesos to rub together judging by its primitive toonery and makeshift 3D.

Yet what really raises the hackles are its tatty attempts to update the character to a modern New York filled with mobile phones, surveillance cameras and robot cops.

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Neil Smith is a freelance film critic and writer who contributes regularly to Heat, SFX and Screen International. He's a long-time member of the London Film Critics’ Circle and was a contributing editor at Total Film for many years.