The Wolfman reboot with Ryan Gosling lands The Invisible Man's Leigh Whannell as director

(Image credit: Blumhouse/Universal)

Forget the Dark Universe, Universal are doubling down on the Leigh Whannell-iverse. The director – who recently rebooted The Invisible Man (opens in new tab) to both critical and commercial success – has entered discussions to reboot another classic monster movie: The Wolfman. As previously reported, Ryan Gosling has been the driving force behind the reboot and will portray the eponymous beast.

According to Deadline (opens in new tab), Whannell was first not too interested in the project, but after speaking with the producers, was won over. He will not write a treatment of the movie based on an original idea and inspired by the 1941 classic. Lauren Schuker Blum and Rebecca Angelo – best known for writing Netflix's Orange is the New Black – will then write the script. 

Before Whannell was on board, previous reports new version of Wolfman is believed to be set in present times and will be akin to Jake Gyllenhaal’s thriller Nightcrawler but with a sci-fi twist. Whether that will remain the case is unknown.

Wolfman is the latest Universal monster to be brought back by the studio. A new Dracula movie is currently in development (opens in new tab) with director Karyn Kusama, while Paul Feig has been working on Dark Army, which will bring together multiple new and old monsters. James Wan is also set to produce a Frankenstein movie. None of these are set to be interconnected – the priority is now on auteur-driven work rather than creating a Dark Universe.

Meanwhile, Gosling is heading to space once more, portraying an astronaut in Phil Lord and Chris Miller's adaptation (opens in new tab) of The Martian (opens in new tab) author Andy Weir’s next novel. There's currently no word on which of the two projects will get before cameras first.

Jack Shepherd
Senior Entertainment Editor

I'm the Senior Entertainment Editor here at GamesRadar+, bringing you all the latest movie and TV news, reviews, and features. Plus I look after the Total Film and SFX sections and socials media channels. I used to work at The Independent as a general culture writer before specializing in TV and film