Veronica Guerin review

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If there's one thing Joel Schumacher ain't, it's a paragon of subtlety. As an artist, his palette contains only two colours - black and white - and these he'll only slather on with the broadest of strokes. So why hire him to helm the true-life story of Dublin crime journo Veronica Guerin, who was assassinated on 26 June 1996 for probing too far and too boldly into her city's biggest drugs ring? Surely, when you're dealing with real people, real issues and a real, recent tragedy, you'd want someone capable of handling the story with some delicacy?

Not if you're producer Jerry Bruckheimer. The Bruck's always been a mass marketeer, and he knows Schumacher will make Guerin's story as palatable as possible for the US consumer. Especially when he has a script by schmaltz queen Mary Agnes Donoghue (Beaches)...

A true story. About a real person. Who did admirable things. Told with all the finesse of a swinging sledgehammer. Our advice? Stay out of its way.

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