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Incurably bossy, ditzy and nine months pregnant, Mitsuko (Riisa Naka) rampages around ordering everyone’s lives for them whether they want it or not, like a low-charm oriental version of Amélie .

Writer/director Yûya Ishii’s comedy (his eighth feature in five years) is set in a skid-row Japan where no one knows where their next bowl of soup is coming from.