If the word 'apocalypse' conjures up images of scorched deserts, bow-wielding heroines and Mad Max-style action, get ready to have that preconception rocked by Z For Zachariah. Enjoying considerable buzz here at Sundance 2015, its killer cast (Margot Robbie, Chris Pine and Chiwetel Ejiofor), dreamy aesthetic and subdued undercurrent of menace mark it out as a refreshing spin on end-of-the-world flicks, a galaxy away from the likes of The Hunger Games, Maze Runner and Dawn Of The Planet Of The Apes.
Those who've read O'Brien's book (it's a classroom favourite in the US) will have noticed that the film takes great liberties with the original, more teen-friendly story. And though purists may find the changes off-putting, director Craig Zobel (Compliance) has concocted something equally riveting. Serving up an incongruous vision of a weirdly lush yet deadly future, his film is a lean, affecting drama where the action is almost exclusively internal – its emotional payloads are elegant, unhurried and ultimately devastating.
Revelling in ambiguities and creeping tension, Z For Zachariah is less concerned with how the apocalypse happened, and more with how it impacts those left behind. How does this trio's predicament inform their decisions? And if there's nobody policing their actions, just what are the limits?
That set-up is powered to triumphant heights by its lead trio. Ejiofor is predictably gripping, and Pine essays surprising depth, but it's Robbie who steals the show. Fresh from her breakout role in Wolf Of Wall Street, she's a revelation as the naïve Ann, confidently striking delicate notes that lend Z For Zachariah a trembling, intoxicating frailty. It may be the end of the world, but this is just the beginning for an actress who's destined for super-stardom.
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