The Maono PD200W microphone has XLR, USB, and wireless connectivity, but that wouldn't matter if it didn't get the basics right

It wasn’t long ago that deciding between a USB or XLR microphone was a raging one or the other battle. XLR led early as the traditional choice, USB offered ease and quickly closed the performance gap, then the two joined forces and a whole heap of brands started offering dual connectivity. Now, with tiny wireless mics seemingly taking over social content, it’s time for another connection to join the arena. But why choose one when you can have all three?

That’s the thinking behind the Maono PD200W Hybrid microphone, a podcast mic with your choice of USB, XLR, or wireless connectivity, all in a single unit. This triple threat might be a new approach, but Maono itself is no stranger to audio, and the PD200W joins an expansive lineup of creator-focused mics and mixers. It’s a brand that’s been quietly going about the business of noise for a few years now, so while it’s overshadowed by major players on our list of best microphones for streaming and gaming, accessible pricing means it’s become a well-trusted name for creators.

With a 30mm dynamic capsule, 24bit/48kHz sampling, and a 60m wireless range, the PD200W packs plenty of impressive numbers, but perhaps the most impressive of all is its price. $129.99/£129.99 sits this microphone towards the cheaper end of the market and makes it an enticing option as a result. Audio has often been a case of getting what you pay for though, so the question becomes whether the Maono PD200W sounds as good as it sounds.

Design

Maono’s designers have kept things reasonably traditional with the PD200W Hybrid; there’s nothing particularly exciting to look at here, but equally, there’s nothing concerning either. It’s your classic round barrel mic with an integrated wind sock, top-mounted control knob, and connections grouped together on the back. It’s only available in black and is reasonably sleek as a result, but a white option is always welcome.

Build quality is impressive with an almost fully metal construction and matte finish that feels great in your hand and looks smart on camera, just like the competing Shure MV7+ or its pricier XLR sibling, the Shure SM7dB. Impressively, I didn’t notice too many garish fingerprints on the body either, even after a few minutes of handling to mount it onto my boom arm. The foam windshield is incredible, which feels like a strange thing to call out, but it might be one of the softest things I’ve ever felt in my life. It has no business being so lovely. I’d pay good money for a blanket made of the stuff.

An LED ring wraps around the unit with a smaller ring around the knob, and all the usual decorative lighting modes are available. You can cycle presets onboard the mic itself or use the Maono Link software to customize things to your liking. It’ll also offer some visual feedback when using the onboard mute button or noise cancellation, offering a handy glance view of what you’re doing. From a purely aesthetic standpoint however, this ring is so small I’m not sure it’s going to make much of an impact in any setup. It’s also worth noting this ring won’t light up if you’re using the XLR connection and will halve your battery life from a reported 60 hours down to 30 if you’re wireless.

The Maono PD200W comes with a pre-installed shock mount, which is a surprising and very welcome inclusion at this price point. It’s not bad either. It’s plastic but feels premium enough and does its job well with plenty of resistance in the elastic straps. There’s a stand in the box too, another bonus you don’t get with many more expensive mics from other brands. The PD200W spun straight onto this, though I needed a thread adapter to get the connector to fit my Elgato Wave Mic Arm Pro. That’s not unusual and seems to be true of most mics anyway. The base is sturdy, and I was happy with how secure the microphone felt when using it. It’ll be a good option for new creators looking to save a little cash, but gamers are likely to find it gets in the way and are probably best served with an arm.

Features

The Maono PD200W is a dynamic microphone which means you’ll need to pay it proper attention and address it correctly. Combined with its cardioid pickup pattern, it does a good job at rejecting unwanted noise from anywhere but directly in front, but that also means your vocal quality will quickly fall away if you move around it too much. Great for podcasts and voice work, less good for more natural-sounding recordings. The 30mm capsule is larger than you often see at this price point, and that added surface area means the PD200W is able to capture a little more detail and depth, while also making it more sensitive than other dynamic options.

Connectivity is the main draw card with the PD200W, and while I found the overall quality of the output to be pretty consistent across modes, there are considerations between them. With the USB-C cable connected, the Maono PD200W Hybrid is perfectly plug-and-play with onboard processing and three levels of noise cancellation too. Switching to the XLR output means giving up Maono’s magic tweaks, but means the PD200W can slot into an existing streaming mixer setup. The wireless connection offers freedom and welcomes back digital processing, but risks interference and means monitoring battery life.

Performance

Choice is great, but there’s no point having multiple ways to connect to your microphone if the sound it produces isn’t worth hearing. Thankfully, that’s not a concern with the Maono PD200W because I was seriously impressed by what it’s capable of for the price. No, when it comes to raw quality, it’s not going to topple options like the industry-staple Shure SM7B options, or top-end offerings like the RODE PodMic USB, but it’s not trying to either. What it is trying to do is deliver clean, rich audio with a minimum of fuss, and it’s succeeding.

I run a weekly podcast, and I stream on Twitch multiple nights a week, so I do a lot of talking into a mic where I want my voice to be the focus of attention without the distraction of keyboard noise or my PC fans. Using the XLR output to test the base signal, I swapped the Maono PD200W into my setup without telling my viewers, replacing the Shure MV7+, and nobody noticed. That’s because the difference in audio quality between this $129 mic and $200+ options is only apparent when you’re isolating channels and really listening for it. When playing back recordings from the Maono PD200W and listening to them ‘normally’, it sounds great. My voice was full, with plenty of warmth and depth, while retaining enough crisp clarity to not end up sounding overly muddy like some dynamic options do. It benefited from a little post-processing massage, but all microphones do, and it didn’t take much.

It’s the wireless mode that's the most interesting and unique aspect of the PD200W Hybrid. It comes pre-paired out of the box, so if you’ve ever fancied recording a podcast episode in a microphone shop, now you can. Just take it all out of the box, plug it into a device, and you’re away. Quality is nearly identical to wired performance, and while I didn’t fancy running the full 60 meters away from my phone that Maono claims the PD200W will work from, I made it further away than I could ever imagine needing to go without losing connection. It held up well with some basic obstructions too. I may not have thick stone walls in my house, but I was able to leave my phone in the front room downstairs and head up to the back bedroom upstairs and record along the way.

There are a couple of areas where the Maono PD200W shows its price point, though in my testing, these weren’t a major issue. The control knob on top feels a little cheap compared to the rest of the unit, and it freely spins, so you’ll need to rely on changing LED brightness or your software to know where you stand. The onboard mute button is nice to have in a pinch, but it’s a physical click rather than a touch-sensitive one, and no matter how gently I tried to press this, it always came through in the recording. The included USB-C wireless receiver is impressively small for plugging into a phone or tablet, but irritatingly wide for use on a laptop. Plugging it into my MacBook Air meant losing the ability to connect anything else or charge as the adapter covered both the MagSafe connector and the second USB-C port - not ideal for recording on the go.

Should you buy the Maono PD200W Hybrid podcast microphone?

Even putting the Maono PD200W’s biggest selling point to one side, this is an easy microphone to recommend. For streamers, creators, and podcasters, it delivers buckets of value with inclusions and an overall build quality that feels well beyond its $129.99/£129.99 RRP. The large 30mm dynamic capsule picks up clean, well-rounded audio that, while not quite at the level of premium options, delivers more than enough for amateur setups. You’ll also likely struggle to pay that price too, even in the few weeks I’ve been testing it since launch I’ve already seen it on sale a number of times, including dropping below $90.

Then there’s the party trick added on top, three connectivity options, including the unique addition of a wireless mode. With near-equal audio performance across modes and a reliable wireless signal, it’s hard to find fault and you’ll never catch me complaining about an over-abundance of choice that doesn’t inflate prices as a result.

How useful will this actually be in the real world though? I’m not sure. I can’t think of too many situations where a full-size dynamic microphone and shock mount is more convenient on the go than something like a RODE Wireless Go, and if I’m inside, I’m likely to just run a USB-C cable anyway. But this innovation isn’t to the detriment of doing the basics well and even if you turn to the PD200W and only ever use one of the three connections, it’s still a great buy.

How we tested the Maono PD200W

I integrated the Maono PD200W into my podcast and streaming setup, as well as using it for a range of dedicated test recordings. I tried it using all three connection options and with different recording devices. For USB-C, it was connected directly to my desktop PC, XLR was connected via the Elgato Stream Deck + using the XLR add-on, and wireless was to both my iPhone 15 Pro and MacBook Air. A majority of my testing was with the PD200W mounted to an Elgato Wave Mic Arm Pro, along with some testing using the included mic stand.

For more on how we test the latest content creation gear, check out the full GamesRadar+ Hardware Policy.

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