The Man in My Basement director reveals the challenges behind turning the haunting novel into a feature-length horror thriller: "Take what you need, leave everything else behind"

Corey Hawkins as Charles Blakey in The Man in My Basement
(Image credit: Andscape)

Director Nadia Latif says adapting The Man in My Basement for the big screen came with its challenges, but working with author Walter Mosley made the process smooth overall.

"I think the biggest challenges with adapting the book were balancing the kind of stranger elements with the character-driven story," Latif tells GamesRadar+. "I like to think of the film as being half a character study and half a political polemic, and also a kind of thriller with horror elements, and sort of balancing that tonally, I think, is quite a difficult thing. And it's quite a big departure from the book, which in many ways is, a bit lighter. But also definitely finding the comedy in it."

The film, which marks Latif's first feature-length project, serves as an adaptation of Mosley's 2004 novel. Corey Hawkins stars as Charles Blakey, a struggling Sag Harbor resident who can't seem to catch a break. As the bank is about to foreclose on his house, a mysterious businessman by the name of Anniston Bennet (Willem Dafoe) contacts Charles out of the blue with the intention of renting out his basement. Naturally, Charles isn't exactly stoked on the idea of a strange white man living in his basement – but the money makes him say yes. After Anniston moves in, however, things take a turn for the worst – and the result is a genre-bending tale of trauma, race relations, and white guilt. Anna Diop, Tamara Lawrance, and Jonathan Ajayi also star.

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Lauren Milici
Senior Entertainment Writer

Lauren Milici is a Senior Entertainment Writer for GamesRadar+ based in New York City. She previously reported on breaking news for The Independent's Indy100 and created TV and film listicles for Ranker. Her work has been published in Fandom, Nerdist, Paste Magazine, Vulture, PopSugar, Fangoria, and more.

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