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What bite-sized reading matter do the SFX bloggers recommend?
Especially this week, where the question is:
Whilst genre fiction still gets sniffed at by a lot of the mainstream press, short genre fiction continues to thrive. What’s your favourite fantasy, science fiction or horror short story and why?
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I particularly like the way the Lovecraft stories overlap and reference one another, hinting at a vast dark otherworldly dimension that would send you mad to even glimpse it. There was another story that I only vaguely recall, about a man who built a kind of cosmic evil telephone to speak to Cthulhu, which inspired me to make a Lovecraftian birthday gift for a friend. I went the local DIY shop and bought lots of odd-looking spare parts: hinges, brackets, switches, etc. I put them all in a box labelled the “The Whitworths End Device”, and inside were rough nonsensical diagrams I called “configurations”, with the words, “No instructions necessary if you are a member”. Then left it on his doorstep. Spooky.
Oh, now that’s an easy one. It’s a very short, short story by Kij Johnson, called “Ponies”. It was shortlisted for a Hugo award this year, and although it didn’t win, I don’t think many people would have complained if it had. The story has everything you need: a pinch of the weird, a spoonful of the saccharin, and a kick-ass ending. It’s also extremely short (shorter than many features on the SFX website), so whatever you’re doing right now, you have time to go read it, which you can do at http://www.tor.com/stories/2010/11/ponies . It’s a story of growing up, and of how schoolchildren are the biggest monsters of all (anyone with any memories of secondary school will know how true this is). I don’t want to say too much about this one because anything I say will spoil it, so just go read, and discover for yourself.
You’ll probably know Hans Christian Andersen’s Den lille havfrue better as Disney's heart-warming sing-along The Little Mermaid . As with the majority of Disney’s short story-inspired features though, the original has a distinctly more ominous origin story. While the lack of reggae crabs and prince-ly Abercrombie leads is distressing enough, it’s Andersen’s original plot that truly unsettles. Apparently, mermaids don’t have souls (cheery), meaning that when the titular fishwoman dies, she’ll simply turn to sea foam and cease to exist.
When she sees a handsome seafaring Prince from afar (he never sees his Little Merstalker), she barters with a seawitch to become human (with the minor drawbacks that she’ll have her tongue ripped out and every step she takes feels on human legs will feel like she’s stomping on swords), and – long Fatal Attraction story short later – she just about stops herself from stabbing her beloved and his missus through the heart before tragically karking it herself.
It's the macabre spin on the tale that grabbed me, prompting a quick trip to eBay to collect all his other stories and truly scar what’s left of my childhood.
I’d be hard pressed to pick out a single favourite, if I did it would probably be something about robots by Isaac Asimov. His creation of the Three Laws Of Robotics and then the subsequent plethora of short stories where he challenges those Laws in any way he can led to some very inventive and engaging stories. I think they are some of his best work by far. But I also really like a lot of the stuff in the Star Wars “Tales From” books, Karen Traviss’s little Republic Commando snippets and Peter F Hamilton’s short story collections too.
My favourite, though, is Reports Of Certain Events In London by China Mieville. It’s in his anthology Looking For Jake and opens with him, the author, receiving a packet of documents. They’re sent to the right address and, almost, the right name, so he decides to open them. What he finds is the story of a very odd London society, of expeditions to explore something which has been camouflaged from us for centuries and betrayal, violence and high adventure in the arteries of London. I can’t say any more because it’s one of those pieces that really needs to be read as a surprise, but it’s beautiful: a really smart, horrible, glorious piece of writing. ( I wholeheartedly agree with this, and, agree that Looking For Jake is an extraordinary collection – online ed .)
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What’s the single moment in geek fiction that gives you the biggest emotional reaction, and why?
We’ll see you then. Bring tissues, chances are we'll need them.
