Thor: The Dark World is (probably) no-one’s favorite Marvel movie.
While not inherently bad, the Thor sequel wastes a great villain in Malekith – and an even greater actor in Christopher Eccleston – in favor of an oddly gritty, low-energy traipse around London via Asgard.
Endgame, for all its epic CGI showdowns, was a movie filled with tear-jerking moments. Chief among them was Thor’s travels back in time to the events of The Dark World and the surprise reunion with his mother Frigga (Rene Russo). Taking place just minutes before her death in Asgard’s palace, the scene in question re-frames an event that, in the grand scheme of the MCU, was glossed over pretty quickly. Thanks to Endgame, the moment is imbued with serious weight.
Thor, after all, is a broken man after Thanos snaps half the universe away. He’s without a home, without a hammer, and without a family. The Dark World reprise temporarily gifts him the latter and, by having Thor literally revisit his past and share a conversation with his mother on her final day, it gives the God of Thunder some closure.
“Everyone fails at who they’re supposed to be,” Frigga tells her despondent son. Maybe The Dark World’s similar: it didn’t quite live up to the expectations upon it but, like Thor, it eventually found a new lease of life. Thor found his mojo again in Thor: Ragnarok, while the revisited scene strikes a new chord as a worthy epilogue for the hero’s adventures so far. That’s not half-bad for a five-minute scene tucked away in a three-hour epic.
Similarly, The Dark World is integral to the fabric of Loki. In our interview with writer Michael Waldron, he said: “I think that Thor: The Dark World was probably the most influential for me for Loki's development in the show.” Not the original Thor, not 2012’s Avengers, not Thor: Ragnarok – but The Dark World.
Why? Loki’s own personal home movies collection at TVA HQ during the Disney Plus series answers that. Aided by Tom Hiddleston’s performance – check out the subtlety of each tic and facial expression – the God of Mischief’s trip down not-quite memory lane helps crystalize The Dark World as a juncture at which Loki decides to change.
His accidental betrayal of Frigga and Loki’s reaction to finding out the news underlines more about the character than The Dark World ever could. Here, Loki is reduced to a scared child quivering, ranting, and whimpering over the death of his mother.
Loki might not believe what he’s seeing, but he’s quietly accepting of what’s locked into his future. Again, The Dark World is set in stone – for Loki, it’s his future and for us it’s the past – but we can continue to re-evaluate it thanks to however much Marvel chooses to parse out of it. Something that was only teased in The Dark World with Loki’s angry prison reaction upon hearing of Frigga’s death is now brought fully into the light. Loki, the show, has built on what The Dark World originally lacked by allowing us to fully witness the deity’s emotional response to the news. They each work in tandem to create a better, more cohesive whole. Without The Dark World, the scene in Loki wouldn’t feel as important. Without Loki, The Dark World doesn’t live long in the memory.
Both Endgame and Loki go to show how much Marvel has evolved in its approach to the past. It’s worlds away, for example, from hammering the square peg of Jake Gyllenhaal’s Quentin Beck into the round hole of canon by ‘featuring’ the soon-to-be-villain bitterly lurking in the background during Tony Stark’s BARF presentation in Captain America: Civil War.
Instead, it’s made Thor: The Dark World truly matter; it’s no longer a sequel that many would gladly pass over. It’s now become an integral cog in understanding the whirring machinations of two half-brothers from Asgard, and one that deserves a second chance. It also pays dividends elsewhere, too. Avengers: Age of Ultron has been immeasurably improved thanks to the fleshing out of Wanda and Vision in WandaVision. Similarly, Bucky and Sam Wilson’s arcs from Civil War onwards are all the better on a rewatch thanks to the end button that is The Falcon and The Winter Soldier.
With time travel and the multiverse looming large in Marvel Phase 4, it’s a smart step showing how the MCU’s shows can present past events from new, intriguing angles without ruining characters or presenting us with plot holes.
It’s achieved that thanks to The Dark World’s inclusion at the heart of Thor’s character arc in Avengers: Endgame and, latterly, Loki’s own evolution in his six-part series. It’s a storytelling choice that is not only brave and bold – but proves that even the black sheep of the family is not without serious merit in Marvel’s grand vision. Is it anyone’s favorite Marvel movie now? Probably not. But it speaks to the talents of Marvel Studios that they’ve now redefined it as one of its most important.
Catch up on the MCU story so far with our guide on how to watch the Marvel movies in order.
