Felicia's Journey review

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The Sweet Hereafter, an account of the grief experienced by a rural community after a schoolbus crash, was Atom Egoyan's breakthrough film. Until then, his output had been confined to the arthouse ghetto, but The Sweet Hereafter secured the Canadian director an Oscar nomination - and a much wider audience. Felicia's Journey, produced by Mel Gibson's Icon label, is another literary adaptation (from William Trevor's award-winning novel) and Egoyan has again crafted an intense, unsettling and cinematic work.

The film avoids many of the clichés of the serial killer picture: there's no feverish/incompetent police investigation, no simplistic `explanation' for the murderer's behaviour, and no gruesome scenes of the killings themselves. Instead Egoyan focuses on the ultimately redemptive encounter between Felicia and Hilditch, which the director describes as a "twist on the story of Beauty And The Beast".

An intriguing variation on the well-worn serial killer terrain. Superb performances from Cassidy and Hoskins, confident direction from Egoyan and immaculate production values elevate this two-hander into a high-calibre piece of film-making.

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