GamesRadar+ Verdict
Another grisly spectacle from the Possessor writer/director that makes some stylish waves, but ultimately proves too shallow to take us to infinity, or beyond.
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"Is this a dream? It would make more sense," sighs holidaymaker Em (Cleopatra Coleman) halfway through writer/director Brandon Cronenbergâs (Possessor) third feature. But in reality, the moral dilemma facing her and her novelist husband James (Alexander SkarsgĂ„rd) is the stuff of nightmares: one that not only shakes their relationship to its very foundations, but gives âtourist trapâ a completely new meaning.
Set in a fictional nation called Li Tolqa, an island paradise for wealthy vacationers provided they donât venture past their resortsâ barbed-wire fences, Infinity Pool takes the same setup as the recent Jessica Chastain/Ralph Fiennes film The Forgiven (western visitor kills local in road accident while on foreign soil) and proceeds to give it a delirious sci-fi twist.
Said calamity happens after James, bored by the opulence of his five-star hotel and needing inspiration for his long-delayed second book, rashly accepts an invitation from admiring actress Gabi (Pearlâs Mia Goth) and her architect husband Alban (Jalil Lespert) to take a drive with them down the coast. One unexpected handjob and a dead farmer later, he finds himself in the clutches of lawman Thresh (Thomas Kretschmann) and on the business end of a zero-tolerance death sentence.
Fortunately for him, Li Tolqa has a get-out clause for international travellers: a way for them to dodge punishment while still satisfying its strict tradition of retributive justice⊠To disclose more would spoil the surprises Cronenberg has in store for both James and the viewer: blindsides that not only maintain the family penchant for visceral body horror (see Cronenberg Srâs Crimes of the Future), but also probe the ethical implications of crime without penalty. Suffice to say that James starts developing an appetite for hedonistic thrill-seeking, confident that another party will pay the price for his infractions.
From the rotating camera that spins this enclave on its axis to the freaky so-called âEkkiâ face masks that are available in its gift shop, Infinity Pool delights in finding fresh ways to disturb and nauseate the audience. You do start to wonder, though, if thereâs anything more to it. One hallucinogenic orgy scene appears to have little function besides exploring the boundaries of what can be got away with.
Thereâs no questioning SkarsgĂ„rdâs commitment to his characterâs descent into depravity, while the gifted Goth is fearlessly uninhibited. But just because Infinity Pool looks good on the surface, that doesnât mean it has hidden depths.
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Neil Smith is a freelance film critic and writer who contributes regularly to Heat, SFX and Screen International. He's a long-time member of the London Film Criticsâ Circle and was a contributing editor at Total Film for many years.