Why you can trust GamesRadar+
Dating from 1962, Ozu’s sublime final film (and one of his only two in colour) plays variations on his perennial themes of marriage and inter-generational tensions.
Chisû Ryû, Ozu’s favourite actor, is the elderly widower who comes to wonder if he’s being selfish in relying on his unmarried daughter to look after him. Having consulted with his friends – over much sake – he sets out to find a husband for her.
Mellow and rich in ironic humour, the film carries an undertow of gentle melancholy; as so often with Ozu, its ultimate message is that loneliness is the human condition.
Helldivers 2 dev asks players to stop deliberately shooting at soldiers with that sweet blue pre-order bonus armor that's apparently a yogurt salesman uniform
Stellar Blade release time – the countdown to the new PS5 action RPG is on
Wilson Fisk celebrates 60 years of Daredevil by reclaiming his mantle as the Kingpin