Transformers: Rise of the Beasts review: "Leans into an orgy of bombastic Bayhem"

Transformers: Rise of the Beasts
(Image: © Paramount)

GamesRadar+ Verdict

Autobots, assemble! Maximals, maximise! And as for you puny humans, don’t forget the most important directive of all: bring paracetamol!

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How do you solve a problem like Transformers? Go big, like Michael Bay did in each of the five swaggering block-blasters he directed between 2007 and 2017, and you end up tumbling down a wearying wormhole of deafening incoherence. Go small(er), as Travis Knight did in 2018’s Bumblebee, and you’ll win back the critics – but you won’t deliver the sort of billion-dollar return Paramount expects from its Hasbro-inspired cash-cow.

In Transformers: Rise of the Beasts, Creed II director Steven Caple Jr. tries to find a middle ground, with fair-to-middling success. A first hour based in ’90s New York keeps things appealingly human-scaled, with Optimus Prime (Peter Cullen) and his laying-low Autobots largely playing second fiddle to former soldier Noah (Anthony Ramos), museum researcher Elena (Dominique Fishback), and their gradual realisation that a glowing artefact at her place of work is one half of a beacon-like key sought by ’bots both benign and nefarious.

By the time second hour rolls around, alas, it’s business as usual. A jump to Peru and the arrival on the scene of robo-gorilla Optimus Primal (Ron Perlman) and the rest of the bestial ‘Maximals’ paves the way for an overblown final face-off with evil automaton Scourge (Peter Dinklage) and his equally despicable Terrorcons. 

At stake is the universe itself; turns out that aforementioned key is what gigantic planet-eater Unicron (Colman Domingo) needs to continue its gluttony in our galaxy. If only Caple Jr. and his five credited screenwriters had found a way to make us invested in the outcome, instead of merely assaulting us with another energy-draining orgy of bombastic Bayhem. 

Beasts is at its best when building a pleasing bond between Noah and wisecracking Autobot Mirage (Pete Davidson) that feels much like the one Hailee Steinfeld forged with Bumblebee five years ago. Fishback, too, is a likeable presence who stays relatable throughout, mainly by behaving as most of us would were we ever to find ourselves pursued by mechanical spiders through an underground temple. 


Transformers: Rise of the Beasts is in UK cinemas on June 8 and in US cinemas on June 9. For more upcoming movies, check out our 2023 movie release dates.

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Freelance Writer

Neil Smith is a freelance film critic who has written for several publications, including Total Film. His bylines can be found at the BBC, Film 4 Independent, Uncut Magazine, SFX, Heat Magazine, Popcorn, and more.