Prey review: "The best post-Arnie Predator movie"

GamesRadar+ Verdict

Old mandible chops finally banks the feral, stylish showcase it deserves – and Midthunder kills as its quick-witted foe.

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If director Dan Trachtenberg offered a canny twist on what follow-ups can be with 2016’s 10 Cloverfield Lane, he does it again with his Predator-series entry, Prey. Rejecting any temptation to go bigger and brawnier, or to simply indulge nostalgia, Prey is a more lateral beast than most IP variants; a (green) blood relative, not an expansion pack.

Relocating the saga, it strips the core Predator concept down and rebuilds it in fierce, full-bodied survivalist shapes. And then – crucially - has shit-tons of fun finding ways to notch up a skull count.

Amber Midthunder anchors its appeal as young Comanche woman Naru. The year: 1719. The place: the Northern Great Plains. While Naru wants to hunt as part of a rite of passage, warrior Taabe (Dakota Beavers) says she’s not ready. But despite her young age and inexperience, she is a good tracker. She knows her territory. When she finds a skinned snake and a huge footprint, she knows no bear did that. And when the air shimmers as she tussles with a lion, Naru knows a new danger beckons.

Building environment and character carefully, Prey gives us a believable lead in a setting you can feel. While 10 Cloverfield Lane made one-set cinema compelling, Trachtenberg here takes full advantage of a broader landscape, navigating between sprawling overhead shots and rugged close-ups to evoke its deadly beauty. And it is deadly, as swamp sequences and close encounters of the ursine kind prove.

In this context, the Yautja (Dane DiLiegro) swiftly asserts its alpha status. Teasing audiences with stylish glimpses of the mandibled monster resembling some high-plains demon, Trachtenberg ratchets up the gore and suspense meticulously before unleashing the creature’s full skill-set.

A mid-film massacre not only links Prey to Predator 2 (and to the comic 1718); it also revels in the indecently thrilling spectacle of the Yautja at work to wickedly inventive effect. And Midthunder (TV’s Legion) proves a more than worthy adversary. Scared but determined, capable yet stretched, she emerges as the Predator saga’s most likable lead yet. 

By the time the end tussle arrives, with Sarah Schachner’s terrific score roaring, you wholly root for Naru as her resourcefulness resolves clues subtly seeded throughout the film. For his part, Trachtenberg has resolved how to give the Yautja its due. Best post-Arnie Predator variant? Undoubtedly. Best Predator movie per se? Tough call, but trust this: Prey gets the job done.


Prey is available on Hulu in the US and Disney Plus in the UK from August 5. For more, check out the best horror movies of all time.

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Freelance writer

Kevin Harley is a freelance journalist with bylines at Total Film, Radio Times, The List, and others, specializing in film and music coverage. He can most commonly be found writing movie reviews and previews at GamesRadar+.