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Much like Richard Kelly’s Southland Tales, Darren Aronofsky’s meditation on life, death and love with Hugh Jackman struggling to save Rachel Weisz, has been highly anticipated, much debated and is currently receiving one or two cries of “pretentious” from festival critics.

Fortunately for Aronofsky, the Toronto reviews have been more mixed than the tidal wave of vitriol and scorn unleashed upon Kelly’s latest offering.

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