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Offering a uniquely smallscale view of post-Saddam Iraq, writer/director Mohamed Al Daradji’s festival favourite follows a headstrong young lad (Yasser Talib) and his grandmother (Shazada Hussein) on their search for the boy’s father, who’s been missing since he was forced to sign up for the Iraqi army.

This aside, the war isn’t featured heavily and almost no troops appear in the film, whose focus is on the quieter but no less profound threat of silent, unreported genocide.

Talib makes a vivid impression in his debut performance, embodying both a childish zeal for life and a growing awareness of just how dangerous his world is.

Sparse, tender and hypnotically moving.

Emma Didbin is a writer and journalist who has contributed to GamesRadar+, The New York Times, Elle, Esquire, The Hollywood Reporter, Vulture, and more. Emma can currently be found in Los Angeles where she is pursuing a career in TV writing. Emma has also penned two novels, and somehow finds the time to write scripts for Parcast – the Spotify-owned network that creates thrilling true crime and mystery podcasts.