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Every era gets the horror movies it deserves. Halloween was born out of ’70s promiscuity, Hellraiser out of the ’80s S&M boom. The torture ordeals of Saw and its increasingly duff sequels are either a result of mallrats’ nu-metal leanings (all piercings and self-harm) or maybe even Abu Ghraib.
For III, Tobin Bell returns as Jigsaw, the psycho with an inventive repertoire of deadly games. He’s on his deathbed, tended by apprentice Shawnee Smith and a kidnapped ER doc (Bahar Soomekh), but he still has time for one last cellar full of victims: women are deep frozen; men drowned in rotten pig meat. It’s sick and slick but also – incredibly – rather dull. It doesn’t help that it’s a movie without a hero (Danny Glover and Donnie Wahlberg long gone); the vacuum ineffectively filled by Jigsaw moralising about torture as a form of salvation. Is he on the CIA payroll?
Cable and Bishop team-up for a mission to save all mutantkind in a one-shot which will also foretell the future of Marvel Comics
Batman: The Last Halloween writer Jeph Loeb explains the story's connection to the Penguin TV show, and why this really is the "last" Batman Halloween story he wants to tell
Former Blizzard boss says the $700 PS5 Pro is really more like a $350 upgrade because it's aimed at people who can trade in their PS5s at "places like GameStop"
