As a huge fan of Nosferatu, Renfield star Nicolas Cage has always felt a deep connection to Bram Stoker's Dracula. So when he meets Total Film (opens in new tab) to discuss playing the ancient vampire, the Hollywood legend says he felt it was only a matter of time before he played him.
"The concept of Dracula, in itself, is a challenge," muses Nicolas Cage in the latest issue of Total Film magazine (opens in new tab), which features Renfield on the cover. "It’s been done so many times already. It’s been done very well and it’s also been done not very well. I certainly admire Christopher Lee and Frank Langella and Bela Lugosi and Gary [Oldman]. But I wanted to see if I could bring something fresh to the character. And I also kind of always knew I had to do it at some point."
First meeting director Chris McKay over Zoom, Cage signed up immediately, instantly responding to the idea of a comedy horror tone pitched alongside An American Werewolf in London. By the time McKay called him back, Cage had already found the character – with the voice, manner and movement nailed.
"I went back to Christopher Lee, in terms of his manner of speaking, but that was really only a starting point," says Cage. "I knew Christopher. I did a small scene with him in Season of the Witch, and I liked him very much. We had a lot of nice conversations, and he reminded me quite a bit of my father, August. So from then on, my dad sort of became the main inspiration for me."
Wanting to give his Dracula an English cadence ("My dad was a literature professor, so he made a decision to speak with distinction"), Cage started weaving his own ideas into McKay’s script. Written here as a gaslighting narcissistic with his own power issues, Renfield’s Dracula pushed Cage to reach even deeper. "More importantly than borrowing from my father, or from Christopher Lee, it’s really about the psyche of the character," he drawls. "An addiction to blood is not unlike an addiction to alcohol or heroin or sex, so I thought about how that lust can drive someone into darker dimensions."
For Cage, Renfield has also given him a lot more to think about for the future. "You know, there are some minor moments here where you get to see some of the pathos in Dracula’s eyes… and that made me think that maybe one day I might like to try for a whole movie where you’re really understanding the psyche of the character," he muses. "I didn’t really have the time to delve into that here."
- Pre-order the Renfield issue here (opens in new tab)
Renfield opens in cinemas on April 14. For much more from stars Cage, Hoult, Awkwafina, and creators Ridley and McKay on reinventing a classic movie monster, grab a copy of the new issue of Total Film magazine (opens in new tab) when it hits shelves (and digital newsstands) this Thursday, March 2. Check out the covers below:(opens in new tab)
If you’re a fan of Total Film, why not subscribe (opens in new tab) so that you never miss an issue? You’ll get the magazine before it’s in shops, with exclusive subscriber-only covers (like the one pictured below). And with our latest offer you can get a free pair of noise-cancelling true wireless earbuds worth £79.99. Head to MagazinesDirect (opens in new tab) to find out more (Ts and Cs apply).(opens in new tab)