Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Punk pioneers the New York Dolls splintered in 1977 in a haze of drugs, booze and enmity. But proof that no fence need go unmended comes in this affectionate documentary, which charts bassist Arthur "Killer" Kane's reunion with his former band-mates Sylvain Sylvain and David Johansen at 2004's Morrissey-curated Meltdown festival.
Having traded his platform heels for a quieter life as a Mormon librarian, Kane is understandably nervous about reliving past glories. But the chance to bury the hatchet proves too tempting, giving Greg Whiteley's film a personal dimension you don't have to be a fan to appreciate. Bob Geldof, Iggy Pop and others supply valuable context, while Kane's acid-casualty demeanour gives rise to much Spinal Tap-style comedy. A shame, then, that Whiteley botches the climax, as poor sound and visuals render the comeback a noisy bore.
NO VERDICT
Helldivers 2 devs are worried it's "tone deaf" to drop a new Warbond so soon after the whole PSN kerfuffle, so they're letting voters decide "in true democratic fashion"
The last Pokemon player has made the ultimate sign-off as 6 survivors hang on to keep the Wii U and 3DS servers alive
Dark Matter star Jimmi Simpson says Apple's new sci-fi series is his "favorite thing I've ever been a part of" and explains why he joined the cast of Westworld
