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Darren Lynn Bousman (Saw II-IV) reworks Charles Kaufman’s 1980 Troma schlocker – itself a Texas Chain Saw, Last House On The Left , Friday The 13th hybrid – into a torture-heavy home-invasion thriller.
Moments of ill-advised irony aside, a taut-faced Rebecca De Mornay impresses as the composedly nutty matriarch who leads her three sons and daughter (True Blood’s Deborah Ann Woll) in terrorising a middle-class party.
Too long and with too many characters to get through, Mother’s Day holds effective sequences, ramming home its (recycled) message: the animal lurks in us all.
Fallout New Vegas director doesn't "care" what the Fallout TV show does with the RPG's lore: "It was never mine"
Knuckles has 300 more VFX shots than the first Sonic movie: "It shouldn’t be looked at like it’s this extra thing we did on the side"
My favorite Spelunky character is a masterclass in roguelike risk versus reward: "Stealing in games is fun in the same way running across the top of the screen is in Super Mario"
