Love Jones review

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Pretty cool, this Love Jones. Touting itself about as a stereotype-free black love movie, where ""there is not one lethal weapon, and the only wound is a broken heart"", Theodore Witcher's debut mixes the sharp comedy of TV stuff like Friends with a trendy, jazzy attitude and a character-led story. Erotic and moody, it shows life in a middle-class black bohemia rarely seen on film - these people are professionals and artists, not drug addicts or gangstas.

From the off, you know cocky young stud Darius is going to get gorgeous Nina into bed. Taking to the stage at a poetry club, he hornily lubricates her loins with lines like, ""I've got to admit, girl, you're the shit, girl"", and candid references to ""jism"." She plays hard to get at first, but once an ""injection of sublime erections"", (as he so delicately puts it) is on the cards, Darius' troubles begin. The chemistry between Tate and Long is such that, when fickle Fate intervenes (she heads for New York to see an ex-fiancé, Darius dates another girl), you almost lose interest: it's painfully likely that they'll get together, and that all this larking about is only there to spin the film out for another hour.

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