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Brit director Alex Barrett's dialogue-driven debut follows four believable, if none-too-compelling London uni grads across a week, as they stew over growing pains and romantic dilemmas (Jay grapples with her new relationship, while Tom and Claire negotiate a growing attraction).
Barrett admirably tries to stretch beyond this run-of-the-mill TV-drama set-up via the housemates’ debates over larger questions.
But pretensions toward Scandinavian arthouse territory (one character reads existential philosophy and is tormented by visions of St Francis) sit awkwardly.
Former Elder Scrolls dev says Todd Howard would sometimes work on "two dozen" projects at once and is the face of Bethesda partly because he's "incredibly photogenic"
Ghost Rider is a hamburger, Wolverine is a banana, and more Marvel characters get wacky mash-ups in Marvel x Fortnite variant covers
Enotria: The Last Song review: "A sun-drenched Bloodborne that doesn't quite live up to the inspiration"
