Shaken & Stirred: The history of James Bond games

Mr. Bond’s gaming debut was a fairly unspectacular side-scroller for the Atari 2600, Atari 5200, Commodore 64, and ColecoVision. Rather than letting players control the agent himself, it put them behind the wheel of Bond’s Batmobile-like car, which could leap over obstacles, dodge enemy attacks, and shoot lasers to take down foes. Four missions were included, each of them loosely based on a Bond film: Diamonds Are Forever, Moonraker, For Your Eyes Only, and The Spy Who Loved Me.

That’s right: There were two separate games based on the 14th entry (and last to star Roger Moore) in the Bond film series. The first was a buggy action game split into three sections, all of them centered on the events of the film, which saw our hero saving California from the villainous Max Zorin. It was the first Bond effort from UK publisher Domark, which would go on to make six Bond games in total. It even featured the iconic movie intro sequence, in which Bond turns and shoots at the camera.

The second A View to a Kill, too, closely followed the movie’s happenings, only without the fancy cutscenes or graphics. It was a text-based adventure game from Mindscape; pretty much the exact opposite from Domark’s title. A follow-up, James Bond 007: Goldfinger, arrived a year later, in 1986.

Domark had a stranglehold on the Bond license throughout the mid-to-late ‘80s, but that didn’t stop them from switching things up from the usual action game formula with this 1988 release. Unlike its side-scrolling predecessors, Live and Let Die was a speedboat racing game. Weird, right?

In actuality, Live and Let Die was a re-branding of a game called Aquablast, which was in development at the time but found itself overhauled to (very) loosely fit the Bond name. While it was certainly different, it wasn’t all that good, featuring repetitive, shallow missions and almost no resemblance to the actual license.

Here’s where things started to pick up a bit. Domark’s fourth time proved to be the charm, as License to Kill stressed level diversity and tighter controls above all else. You could control Bond on foot, in helicopters, underwater, driving tanker trucks, and even on water-skis, all in the pursuit of the evil drug smuggler Sanchez. It looked, sounded, and played well, and, at the time, set the standard for all future Bond games to come

Domark brought Bond back behind the wheel with this top-down shooter and racing hybrid. Like Live and Let Die before it, The Spy Who Loved Me largely ignored the plot of its film namesake, and suffered from mediocre controls and some seriously frustrating spikes in difficulty. Its graphics, sound, and overall presentation were fine, but the rest of The Spy Who Loved Me was ultimately a disappointment after License to Kill’s successes a year prior.

THQ’s first and only contribution to the Bond game legacy took its inspiration from the early ‘90s spin-off cartoon of the same name, and, well, it wasn’t quite an adventure worthy of the bigger Bond’s name. Two wildly different versions were released for the NES and the SNES, respectively. While the former was a puzzle-platformer, the latter was more of an action title with shoot-em-up elements.

Unfortunately, neither were any good. Both games adhere to the same lackluster and derivative gameplay, and while they each stay faithful to the animated license, they’re not worth getting nostalgic over.

This Sega exclusive was memorable for a few reasons. For one, it was one of the most influential early Bond titles to not be based on a pre-existing story or film, as Domark decided to compose its own tale--albeit one that saw Bond face off against a variety of past villains--while the agent’s films were in the midst of a six-year hiatus. It also was the last appearance of Timothy Dalton as Bond, as 1989’s License to Kill marked his last film in the franchise. Finally, it was also longtime Bond dev Domark’s last title using the license.

Gameplay-wise, The Duel was generally solid, if a tad unexciting. It was yet another third-person action-platformer that looked and controlled well enough (especially on the Genesis version, rather than the Master System’s), but was just too repetitive and straightforward to be considered one of 007’s greatest hits.

What can be said about Rare’s FPS masterwork that hasn’t already been said before? After four years away from the video game scene, Bond came back in a big way, bringing to the Nintendo 64 what may be the most important console shooter ever created. The first title to feature Pierce Brosnan as 007, GoldenEye had a great single-player mode that emphasized stealth alongside combat, varied mission objectives, a wide array of weapons (including one of the first zoomable sniper rifles), and a great overall presentation.

While the solo experience was superb on its own, it’s Goldeneye’s split-screen multiplayer mode that is arguably the most beloved in the genre. Players spent countless nights killing up to three of their friends time and time again, across five different types of deathmatch modes. It set the stage for spiritual successors such as Perfect Dark, arguably laid the foundations for multiplayer juggernauts like Halo and Call of Duty today, and proved that console first-person shooters could thrive alongside their PC brethren.

Bond’s return to home consoles came the following year with this PlayStation exclusive. Electronic Arts had captured the licensing rights to James Bond by this point, and the first-person shooting of GoldenEye was soon changed into third-person shooting here. The result was an awkward-controlling piece of standard shooting fare that, while faithful to the Bond name, couldn’t quite attain the same magic of its predecessor. Dropping multiplayer from the game certainly didn’t help either.

After the so-so Tomorrow Never Dies, EA decided to return to GoldenEye’s first-person roots with this effort for the Nintendo 64, PlayStation, and Game Boy Color. While the handheld version was by and large terrible, the console editions made a solid enough return to what revived fan interest in Bond in the first place, with good looks and improved controls. PlayStation owners were still denied multiplayer, but N64 players could be take out their buds all over again. It was still great fun, provided that nobody was using Oddjob, of course.

That same year, Bond was back behind the wheel for this PS1-exclusive action driver, which was inspired by the likes of Twisted Metal and Spy Hunter. It controlled sloppily, featured choppy environments, and, most importantly, made you feel like some psycho in an Aston Martin rather than Bond himself. I suppose you could argue that’s all 007 is in the first place, but that doesn’t make this one any more enjoyable.

By this point, EA was releasing Bond games on just about an annual basis, with fans appropriately eating them up in large amounts each time. Some were good, some were bad, but none were really doing anything too different--thus, we lump them together here. Nightfire and Everything or Nothing were both tight, enjoyable shooters that featured increasingly impressive presentations and production values. Rogue Agent, on the other hand, looked fine, but stumbled in its attempts to re-create the successes of GoldenEye all those years ago.

EA decided to turn back the clock with 2005’s From Russia With Love, which featured the likeness and voice of legendary actor Sean Connery in a plot based on the 1963 film of the same name. The third-person shooter stayed relatively faithful to its retro source material, but kept things fresh with stunning looks for its time, a load of new gadgets to toy with (jetpacks, anyone?), and the always-solid split-screen multiplayer. It was a little too easy, and its linearity didn’t differ much from Everything or Nothing from the year prior, but it was still cool to see the old-school days of Bond receive some love.

After failing to get a tie-in game based on 2006’s reboot of the Bond film franchise, Casino Royale, onto store shelves, Electronic Arts relinquished their rights to the Bond license, leaving the franchise dormant for the next couple of years. That would soon change after another publishing giant, Activision, got their hands on the famed super spy and put him on current-gen consoles for the first time with Quantum of Solace.

Covering the plots from both the Casino Royale and Quantum of Solace films, this shooter from Black Ops developer Treyarch wasn’t quite the glorious return Bond fans had been hoping for. Weak combat, brain dead AI, and design that was simply too derivative of other popular shooters at the time hindered Quantum of Solace from the start, leaving the game more George Lazenby than Daniel Craig. James Bond 007: Blood Stone would follow two years later, and, like Quantum of Solace, it was okay, but not anything special.

Well there you have it. As is the case with Bond’s films, the games of 007 are highlighted by a few wondrous highs and a few less-than-stellar lows. With 007 Legends dropping next week, the franchise shows no signs of slowing down anytime soon.

So now it’s your turn to speak up. What’s your favorite Bond game? Can anything compete with the the original GoldenEye? And what would you like to see out of future Bond titles? Let us know in the comments below.

And if you're looking for more looks back to the history of games, check out the history of Pokemon and a history of AO games.