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  1. Games
  2. FPS
  3. Killzone 2

Killzone 2 review

It's the moment of truth – can the PS3's prettiest shooter live up to its own hype?

Reviews
By Mikel Reparaz
Published 2 February 2009

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

GamesRadar+ Verdict

Pros

  • +

    Beautiful (if bleak) visuals

  • +

    Amazingly chaotic battles

  • +

    Two words: lightning gun

Cons

  • -

    Being limited to one rifle

  • -

    Action's a little too predictable

  • -

    Multiplayer matches can drag

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

In the four years that we’ve known about it, Killzone 2 has been all but defined by one incident, so let’s get this out of the way right off the bat: yes, Killzone 2 lives up to the infamous “target footage” clip that roused legions of skeptics at the 2005 Electronic Entertainment Expo. It even surpasses it, although if you’ve been following the game over the last few months, you probably know that already.

So, yes, Killzone 2 is a graphical powerhouse. No disputing that. Despite its dismally gray color palette, it renders the war-torn planet Helghan in meticulous detail, and the corridors, city streets and industrial hellholes you fight through feel like believable, lived-in environments. The gasmask-wearing, Nazi-like Helghast troops you’ll fight are just as beautifully rendered and animated, and it’s weirdly fun to watch them flail and jerk as you hammer their impossibly tough bodies with bullets.

More importantly, Killzone 2 is an excellent shooter that’s faster, prettier and much more chaotic than its predecessors. It’s also relentlessly gritty, and its weapons, vehicles and architecture are so low-tech and dingy that the action feels much closer to World War II than to your average space-marine shooter. In fact, it’s not a stretch to say that this is the closest thing there is right now to a sci-fi Call of Duty.

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Even with that said, Killzone 2 still has a lot more to prove than the average shooter. It’s one of the most important, make-it-or-break-it titles for the PS3, but it’s been met with heavy skepticism every step of the way. That’s not really surprising, given the game’s sketchy past. Aside from the spec footage, there’s the first PS2 game, which was hyped before release as a “Halo-killer” and instead turned out to be a slick but fairly slow-paced trudge through “realistic” sci-fi battles inspired by actual 20th-century warzones.


Above: The first Killzone. Average score onMetacritic– 70

Then there was the PSP sequel, Killzone: Liberation, which - despite improving on the original - wasn’t actually a shooter, and therefore didn’t say anything about developer Guerilla Games’ ability to craft one.


Above: Killzone: Liberation. Average score onMetacritic– 77

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It also doesn’t help that “Killzone” is exactly the kind of ultra-generic name that uncreative cop-show writers use whenever they want to insert a “message” about “video violence” into the weekly murder plot.

All that stuff just makes what Killzone 2 has achieved that much more significant. Putting you into the boots of Sgt. Tomas “Sev” Sevchenko, a new character under the command of series regular Rico Velasquez, Killzone 2 throws you into the invasion of the inhospitable planet Helghan, which is roughly as significant within the game as marching into Berlin was during WWII. You’ll see every second of the campaign unfold through Sev’s eyes, from the first moments aboard his army’s gleaming dropship to the final confrontation with the Helghast leaders. His story’s fairly predictable (assuming you’ve ever seen a war movie), but it’s well told, and the characters – simple as they are – are memorable and likable enough to keep it from ever feeling generic.

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Mikel Reparaz
Mikel Reparaz
After graduating from college in 2000 with a BA in journalism, I worked for five years as a copy editor, page designer and videogame-review columnist at a couple of mid-sized newspapers you've never heard of. My column eventually got me a freelancing gig with GMR magazine, which folded a few months later. I was hired on full-time by GamesRadar in late 2005, and have since been paid actual money to write silly articles about lovable blobs.
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