Highguard was "doomed" on its own merits, says indie games veteran, and "now you have a developer still unable to believe they made a bad game"

Highguard character in leather armor holding a rifle — (Image credit: Wildlight Studios)

Creative director Adrian Chmielarz of The Astronauts, behind RPG shooter Witchfire and first-person adventure The Vanishing of Ethan Carter, argues Wildlight Studios' Highguard was "bad" and stood "no chance" in a hyper-competitive market.

In a response to a post from laid-off Highguard tech artist Josh Sobel, in which Sobel claimed that internal Highguard sentiments pre-launch were that "there's no way this will flop," Chmielarz examines the "mystery" of "games that hundreds of people work on for years, and nobody can see that they are just bad".

On this particular point, Sobel said in his post: "I also don’t think there’s any way to know whether the launch would have fared better or worse without the massive spotlight that was thrown onto us in response to The Game Awards’ trailer placement."

"Highguard, Concord, the Painkiller reboot, and more – hundreds of people worked on these games for years. How does it happen that they ever see the light of day in the form they do? What is this? Is this the legendary 'toxic positivity'? Something else? Tell me," he concludes. Chmielarz was notably creative director at Painkiller and Bulletstorm maker People Can Fly in the past.

Truths can co-exist here. Highguard faced some unfair and off-topic criticism, and some players had already chambered their negative reviews well before they played the game, but it is also a not-good game competing in a space where even truly great games regularly die. That said, I don't know that nobody at Wildlight raised concerns about its shape or strategy – but if those concerns were shared, the folks at the helm demonstrably didn't listen, or at least not in time, with most of the studio now laid off.