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Games that defined the Decade: Skyrim is a cultural leviathan of its own making

(Image credit: Bethesda)

We're celebrating the end of an incredible decade for games, movies, and TV shows. The Elder Scrolls 5: Skyrim is one of the games that defined the last 10 years of play, placing 9th in our 100 best games of the decade rankings. Read on to find out why...

Look at me, and you may think you see an ordinary woman walking her dog or shopping for groceries or playing on her phone while she waits for the subway. Your eyes deceive you, because for one wonderful winter in 2011, I was the greatest warrior – nay, Dragonborn – that Tamriel had ever had the good fortune to see. 

My memories of rampaging around Skyrim for that first time – and there have been many more, thanks to Bethesda's fetish for porting the game to everything but my Roomba - are embedded so deep in my brain that they feel clearer than genuine memories of real life. 

Living history

(Image credit: Bethesda)

"Everyone you saw was the potential key to your next great adventure."

When I get to reminiscing about werewolves, or being trapped in someone's mind trying to sort out their psychological problems, or that first taste of dragon soul after a successful kill, I get the urge to go back, like I'm recalling a bit of personal history rather than a game, and it's all because of Bethesda's magical world-building. 

The Elder Scrolls Skyrim wasn't the first game to offer an open-world, but its biggest win was being the one that really delivered on the feeling every adventurer wants. That they were slaying and flaying in a breathing ecosystem where NPCs had shit to do, and weren't just waiting around for you to appear like bored extras on a film set.

These days we play Red Dead Redemption 2 and take it for granted that someone will have itemised a schedule for surly townsperson #238, but back then it was a revelation to follow an NPC and watch them patrol around the town, before returning to their own home and locking the door at night.

This world-building wasn't just confined to the big towns either, with miles of stunning but decorative landscaping in between. Once you were out in the world it felt as if there was a secret or story hidden in every cave, around every corner, and everyone you saw was the potential key to your next great adventure.

Nothing makes an open-world RPG fan more melancholy than a world where it feels as if every quest has already been completed, but the design of Skyrim delayed this feeling as long as possible, mixing small and strange escapades - like getting trapped in a troll infested painting – with big, story arcs like the Dark Brotherhood questline. Even today, a conversation about Skyrim with a fellow enthusiast can reveal an interaction or secret you missed, and then it's back to the PC, or Switch, or Amazon Echo to just take a peek.

Pushing boundaries

(Image credit: Bethesda)

The Twilight movies had barely wrapped up by 2011, but this was a game that pushed the boundaries when it came to what you could deliver to adventure-hungry players. Not only was there plenty to do, and so many ways to do it, it was pure screenshot porn with its ruined architecture and snowy mountains.

The first time you really went nostril-to-nostril with a dragon, you got a sense of the size and power in a way that games had never really managed before, and even once my Fus Ro Doh energy was at its peak in a full set of Dragonplate armor, it still felt awesome in the old school sense of the word.. It always felt like the dragons got their revenge post-humously too, forcing you to scramble your inventory to make room for their heavy, but oh so valuable, remains.

We've had some amazing games since Skyrim that have built on its fantasy foundations, and no doubt there will be more to come with the whispers of Elder Scrolls 6 and Dragon Age 4 on the wind, but nothing will ever dim the shine of the first time I fired up my PS3 in 2011 and escaped from the prisoner cart as a dragon lay waste to the town around me.

Rachel Weber

Rachel Weber is the US Managing Editor of GamesRadar+ and lives in Brooklyn, New York. Rachel began working in games journalism in 2006, combing her love of video games with her passion for writing. Starting as a fresh-faced staff writer of Official PlayStation Magazine, she went on to cover the business side of the industry with, before joining Rolling Stone's ambitious - if short-lived - Glixel project in 2016. She returned to Future and joined GamesRadar+ in 2017, revitalizing the news coverage and building new processes and strategies for the US team.

Throughout her 15 years of experience, Rachel has interviewed celebrities about their gaming habits, chatted with PlayStation and Xbox bosses, written thousands of words of previews, reviews, and news, and appeared as an expert on BBC radio and TV. In the name of games journalism, she's also taken rap lessons, appeared on the streets of London as a zombie, tried her hand at sword-fighting, and taken part in more than one 24-hour gaming marathons. 

When she's not on duty for GamesRadar expect to see her hunting down the weirdest indie games on Steam, curling up with the latest horror novel, or binging the newest must-see crime documentary. You can find her at @therachelweber on Twitter.