Exclusive Interview: Richard Taylor

The effects in King Kong came on dramatically from the first teaser trailer…
Yeah it’s always a funny one with the first teaser. When you’re on a film for a year or two, you know, even two weeks can advance the work considerably and in the case of Weta Digital where you’ve got 500 staff working, even the couple of months that have passed since that first teaser a great deal of deal of skill and expertise have been brought to bear on the work. Hopefully the audience will appreciate it with the overall film.

What were the biggest challenges you faced whilst developing Kong?
Kong has definitely been one of the greatest challenges on the project because it wasn’t just an easy design. It went through a year of initial conceptual artwork and 3D sculpture before we found a character that Peter warmed too and appreciated. But we don’t consider a character as locked down because what you discover when it enters the digital is all of the abstract elements, such as Andy Serkis’ performance and what that meant to the design. Also of course the development of the story and the cutting of the movie and how Kong as a character evolved. So the people at Weta Digital built a pipeline that allowed Peter to continue to develop and create and add his vision to the process.

The Total Film team are made up of the finest minds in all of film journalism. They are: Editor Jane Crowther, Deputy Editor Matt Maytum, Reviews Ed Matthew Leyland, News Editor Jordan Farley, and Online Editor Emily Murray. Expect exclusive news, reviews, features, and more from the team behind the smarter movie magazine.