D-Tox review

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Sylvester Stallone’s latest entrée into the canon of cinéma vérité classics sees the former ‘80s action man continue his inexorable journey toward straight-to-video ignominy.

Setting himself a herculean task, the former Mr Brigitte Nielsen tackles two equally tired genres: the slasher movie and the serial killer flick. Starting out as a Se7en-alike thriller in which a cop-hating maniac is on the loose doing decidedly uncharitable things with a drill, the action abruptly switches to a disused military installation-cum-detox centre.

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