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“All we ever talk about’s bugs!” gripes Ashley Judd to new beau Michael Shannon, a deranged grunt convinced he’s been infested with nanobot insectoids. Relationships have been built on less… For all William Friedkin’s attempts to open out Tracy Letts’s 1996 stage play, though, this remains a relentlessly claustrophobic piece whose flashy coups de theatre pack only a fraction of their original punch. Reprising the role he created in London and New York, Shannon still proves chillingly effective as the paranoid headcase who inexorably draws Judd’s vulnerable waitress into his psychotic orbit. Any movie that builds towards a hysterical 10-minute rant and a double self-immolation was always going to be a tough sell, however, making this far from the dramatic comeback Friedkin fans might have been hoping for.
Ex Nintendo PR managers say the Switch 2 generation is likely to see the retirement of "several of the major developers at Nintendo who we have known for 40 something years"
Helldivers 2 CEO says industry layoffs have seen "very little accountability" from executives who "let go of one third of the company because you made stupid decisions"
Spider-Man: Brand New Day - How Peter Parker and Mary Jane's break up led to one of the wall-crawler's most transformative comic eras
