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As with Guilty Gear, the control set-up looks quite basic on paper, with four attacks mapped to the face buttons, called A, B, C and D in the game, with D being used to launch the Drive specials as mentioned earlier. But it’s the combinations of buttons, how and when they are used that offer BlazBlue the kind of depth that ARC System Works’ fans have been craving. For example, holding A and B and pushing back activates a stronger-than-normal defensive shield.
BlazBlue isn’t the most technical fighter - its design is to enable novices to feel good about their play – so you get one button Drive moves. This is reflected in the visuals. The animation is ace and each character and move is met with an explosion of colour and quirky flourishes. Of course, there are deeper tactics, and if you venture online you’ll get served until you discover how to use the characters. But the fact remains, the control set-up and visual impact makes BlazBlue a game for all experience levels.
Also, BlazBlue is one of the few games to support Remote Play, which means you can be sitting at work bored out of your mind looking at dull spreadsheets or at school trying to understand the beauty of crop rotation when you can boot up the game on your PSP and start playing, as it streams the game from your PS3.
With fighters and Gallery items to unlock, a progressive character-specific Story Mode (told via static dialogue scenes, but funny despite that), and lag-free online play in both ranked and just-for-kicks matches with players from around the world, BlazBlue has everything we’d want from a hi-def, 2009-vintage Guilty Gear. It’s not doing anything revolutionary, but it’s great to see that the evolution ARC System Works had put in place continues to roll on.
Jul 9, 2009
