Ghost Rider drives to the top of the US box office
Nic Cage’s flaming skull wins the weekend studio estimates
Weekly digests, tales from the communities you love, and more
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
GamesRadar+
Your weekly update on everything you could ever want to know about the games you already love, games we know you're going to love in the near future, and tales from the communities that surround them.
Every Thursday
GTA 6 O'clock
Our special GTA 6 newsletter, with breaking news, insider info, and rumor analysis from the award-winning GTA 6 O'clock experts.
Every Friday
Knowledge
From the creators of Edge: A weekly videogame industry newsletter with analysis from expert writers, guidance from professionals, and insight into what's on the horizon.
Every Thursday
The Setup
Hardware nerds unite, sign up to our free tech newsletter for a weekly digest of the hottest new tech, the latest gadgets on the test bench, and much more.
Every Wednesday
Switch 2 Spotlight
Sign up to our new Switch 2 newsletter, where we bring you the latest talking points on Nintendo's new console each week, bring you up to date on the news, and recommend what games to play.
Every Saturday
The Watchlist
Subscribe for a weekly digest of the movie and TV news that matters, direct to your inbox. From first-look trailers, interviews, reviews and explainers, we've got you covered.
Once a month
SFX
Get sneak previews, exclusive competitions and details of special events each month!
Ah, President’s Day. An excuse for America’s federal government to take an extra day off and for studios to nab a few more million dollars to add to their weekend totals.
It was an especially good day for Mark Steven Johnson’s Ghost Rider, which, despite a panning from plenty of critics, sold its soul to Satan in return for a spectacular opening. The estimated $51.5 million smashes the President’s Day weekend record set by 50 First Dates, while the film also represents Nic Cage’s most successful launch.
Still, kid flick Bridge To Terabithia didn’t exactly have much to worry about. It took a strong second place with a healthy $29 million over the four day weekend. And with plenty of other new films (see below), it was only natural that last week’s big winner (Norbit), would have to move, tumbling to third with $20.7 million. Though with $62.7 million in the bank, it has already made its shooting budget back.
Despite a Valentine’s Day opening on Wednesday, Hugh Grant’s latest, Music And Lyrics made the slightly less impressive $21.6 million over its first six days, with $16 million of that representing the weekend take, putting the rom com into fourth. Fifth place went to Tyler Perry’s Daddy’s Little Girls, which also took in $19.9 million – and that was opening in 800 fewer cinemas than Music And Lyrics.
Meanwhile, Breach – the true-life FBI thriller from Shattered Glass’ Billy Ray – opened with $12.3 million, not a bad start for a lower-budgeted release. The worst luck this week befell Hannibal Rising, which has been trashed in the press and plagued by low cinemagoer interest. It nabbed just $6.5 million over the weekend, and has taken in $23.6 million. Someone’s going to need a large glass of chianti to wash that result down…
Eighth place was taken by Because I Said So, the Diane Keaton rom-com, which has $34.2 million in total so far, way behind this year’s first big success Night At The Museum, staying in the charts for one more week (or possibly more), having made $238.3 million in America alone. And finally, low budget horror The Messengers squats in 10th with $4.4 million this weekend, and a running total of $31.1 million.
Bringing all the latest movie news, features, and reviews to your inbox
The Total Film team are made up of the finest minds in all of film journalism. They are: Editor Jane Crowther, Deputy Editor Matt Maytum, Reviews Ed Matthew Leyland, News Editor Jordan Farley, and Online Editor Emily Murray. Expect exclusive news, reviews, features, and more from the team behind the smarter movie magazine.


