The Family Man review

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The headfuck concept of parallel lifelines has long been a favourite of sci-fi but only recently has it crossed over to other, less likely genres. Sliding Doors polished it with a rom-com sheen, fleet-footed thriller Run Lola Run gave us threepossible outcomes to a problem and Me Myself I plonked the What If? idea firmly down into drama, as a career-minded journalist inexplicably swaps places with her alternate, domestic self.

The last is probably the film that fewest people saw - to the delight of the makers of The Family Man, which is very similar. But before the who-ripped-off-who debate begins, let's just settle things by saying it doesn't matter. The Family Man is the better of the two - although not by enough to ensure anyone will still be discussing it in 10 years' time.

A bright rom-com that makes a pleasant change from the glut of smart-arsed high-school teen flicks and Gross And Grosser no-brainers doing the cinematic rounds. If only it came without the heavy side order of syrup...

Editor-at-Large, Total Film

Jamie Graham is the Editor-at-Large of Total Film magazine. You'll likely find them around these parts reviewing the biggest films on the planet and speaking to some of the biggest stars in the business – that's just what Jamie does. Jamie has also written for outlets like SFX and the Sunday Times Culture, and appeared on podcasts exploring the wondrous worlds of occult and horror.