Is it just me, or should super-suits go back to basics?
A Total Film writer on why we need to swap CG for spandex...
Weekly digests, tales from the communities you love, and more
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
GamesRadar+
Your weekly update on everything you could ever want to know about the games you already love, games we know you're going to love in the near future, and tales from the communities that surround them.
Every Thursday
GTA 6 O'clock
Our special GTA 6 newsletter, with breaking news, insider info, and rumor analysis from the award-winning GTA 6 O'clock experts.
Every Friday
Knowledge
From the creators of Edge: A weekly videogame industry newsletter with analysis from expert writers, guidance from professionals, and insight into what's on the horizon.
Every Thursday
The Setup
Hardware nerds unite, sign up to our free tech newsletter for a weekly digest of the hottest new tech, the latest gadgets on the test bench, and much more.
Every Wednesday
Switch 2 Spotlight
Sign up to our new Switch 2 newsletter, where we bring you the latest talking points on Nintendo's new console each week, bring you up to date on the news, and recommend what games to play.
Every Saturday
The Watchlist
Subscribe for a weekly digest of the movie and TV news that matters, direct to your inbox. From first-look trailers, interviews, reviews and explainers, we've got you covered.
Once a month
SFX
Get sneak previews, exclusive competitions and details of special events each month!
There’s plenty that’s implausible about Sam Raimi’s first Spider-Man, from the genetically modified arachnid bite and organic web-shooters, to all that swinging between skyscrapers. But the movie’s biggest curveball is how a high-school student with zero tailoring experience crafts himself a slick, figure-hugging spandex outfit. How Tobey Maguire’s Peter Parker upgrades his tie-dye tracksuit to a snazzy raised-web design is never explained. Unless The Incredibles’ Edna Mode stepped in to fill the mentor-shaped void left by Uncle Ben’s passing, it makes no sense.
And yet I’ll happily take old-school Spidey’s unlikely haute couture over the fantastical nanotech costumes from the MCU. The days of diligently hiding your super-suit under your civvies are long gone, now that Lycra, weaponised armour and robot spider legs can materialise from microscopic particles floating in the ether.
Since Black Panther brought futuristic Wakandan technology into the MCU, Marvel has given up on keeping its fashion believable. T’Challa’s bulletproof Vibranium togs fit conveniently inside a necklace. And where Iron Man once hid his armour in a briefcase, his Avengers: Infinity War update was housed in the ARC reactor on his chest, before enveloping his body in a cascade of glittery CG effects. When a whole arsenal of powerful weapons can be conjured from thin air – where is all that mass coming from? – it’s safe to assume none of the Avengers are putting luggage in the cargo hold when they travel.
While the Batsuit in Christopher Nolan’s Dark Knight movies is home to an unlikely array of gadgets, his Kevlar suit and memory-cloth cape do at least seem convincingly tactile. Such utilitarian tailoring even came with the wonderfully mundane trade-off that Bruce Wayne couldn’t swivel his neck.
Does the ending of Spider-Man: No Way Home suggest a homemade, hand-stitched comeback? Let’s hope so. Marvel’s wardrobe of computer-enhanced super-suits have an air of comic-book magic, but for Spidey and his amazing friends, surely it’s time to get back to basics with some good, old-fashioned spandex. Or is it just me?
- Is it just me, or is Bond better off without Daniel Craig?
- Is it just me, or has there never been a bad Spider-Man film?
- Is it just me, or is the lightsaber a useless weapon?
Bringing all the latest movie news, features, and reviews to your inbox

Richard is a freelancer journalist and editor, and was once a physicist. Rich is the former editor of SFX Magazine, but has since gone freelance, writing for websites and publications including GamesRadar+, SFX, Total Film, and more. He also co-hosts the podcast, Robby the Robot's Waiting, which is focused on sci-fi and fantasy.


