Richard Linklater speaks out after the Academy rejects Apollo 10 ½ from Best Animation category
"The category that should be most inclusive of expression is instead the most status quo"
Weekly digests, tales from the communities you love, and more
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
GamesRadar+
Your weekly update on everything you could ever want to know about the games you already love, games we know you're going to love in the near future, and tales from the communities that surround them.
Every Thursday
GTA 6 O'clock
Our special GTA 6 newsletter, with breaking news, insider info, and rumor analysis from the award-winning GTA 6 O'clock experts.
Every Friday
Knowledge
From the creators of Edge: A weekly videogame industry newsletter with analysis from expert writers, guidance from professionals, and insight into what's on the horizon.
Every Thursday
The Setup
Hardware nerds unite, sign up to our free tech newsletter for a weekly digest of the hottest new tech, the latest gadgets on the test bench, and much more.
Every Wednesday
Switch 2 Spotlight
Sign up to our new Switch 2 newsletter, where we bring you the latest talking points on Nintendo's new console each week, bring you up to date on the news, and recommend what games to play.
Every Saturday
The Watchlist
Subscribe for a weekly digest of the movie and TV news that matters, direct to your inbox. From first-look trailers, interviews, reviews and explainers, we've got you covered.
Once a month
SFX
Get sneak previews, exclusive competitions and details of special events each month!
Richard Linklater's latest animated movie doesn't qualify for an animation Oscar, and the director isn't happy about it. Apollo 10 ½: A Space Age Childhood was released on Netflix in March this year. Set during the 1969 Moon Landing, the film explores the fantasies of children on Earth who watched the historic televised event and is loosely based on the director's own childhood. The movie is made in a similar style to Linklater's rotoscoped films, A Scanner Darkly and Waking Life, and takes inspiration from kids' Saturday morning cartoons.
However, the Academy's animation committee rejected the movie for Oscar consideration in the Best Animated Feature Film category. The committee wrote that the Academy "does not feel that the techniques meet the definition of animation in the category rules" due to the "extensive use" of live-action footage. This footage was used for reference, but none of it appears in the movie. Linklater and Netflix have appealed the Academy's decision, but at the time of writing, they've had no response.
"This decision cuts off the creative flow for a certain kind of animated movie," Linklater told IndieWire. "Will anyone greenlight something like this if it can’t get nominated? The [animation] industry is clustered around kids’ entertainment. I get this feeling that they’re basically like, 'Indie weirdos, go home.'"
"I feel like if I’ve been caught in a Kafkaesque nightmare where someone is saying something isn’t real and I know it’s real," said the movie's animation director, Tommy Pallotta. "I’ve been producing rotoscope animation for 25 years, and I’m done with people telling me it’s not animation. It’s just such an insult."
Linklater added: "Here’s what’s fucked up – the notion that there is one way that is more pure than another. Technology and creativity should be able to run wild. The process has far outstripped their thinking so they end up super conservative with a frustratingly simple view of it that’s anti-art. The category that should be most inclusive of expression is instead the most status quo."
Apollo 10 ½ is available to stream on Netflix now. If you've already seen Linklater's latest, check out our picks of the other best Netflix movies to watch right now.
Bringing all the latest movie news, features, and reviews to your inbox

I’m an Entertainment Writer here at GamesRadar+, covering everything film and TV-related. I help bring you all the latest news, features, and reviews, as well as helming our Big Screen Spotlight column. I’ve previously written for publications like HuffPost and i-D after getting my NCTJ Diploma in Multimedia Journalism.


