Brothers review

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Dogme is dead – long live Dogme. Susanne Bier’s forceful follow-up to her 2002 drama Open Hearts might jettison the pared-down strictures of that Danish movement, but it’s clear her experiences working under its dictates have made her a richer, more confident filmmaker. The proof is Brothers: a visceral, thrilling work that puts its characters and the audience through an emotional wringer en route to a moving and cathartic denouement.

Though the scenes in Afghanistan (actually shot in Spain) point towards war-is-hell polemic, this is at heart a chamber piece whose true battlefield is the home Ulrich Thomsen’s genial soldier leaves at the onset of the story. One chillingly plausible helicopter crash later, it’s left to his traumatised wife (Gladiator’s Connie Nielsen giving her first performance in her native tongue) to pick up the pieces – with a little help from Thomsen’s ne’er-do-well brother, a drifter forced to shoulder responsibility for the first time in his hitherto feckless life.

A superb cast, crew and script produce a tough but rewarding drama that shows things are far from rotten in the state of Denmark.

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