Big Night review

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When it comes to portraying the often delicate meanderings of the human heart, Hollywood tends to take a back seat, letting the touchy-feely Italians and kissy-kissy French corner the "nothing much happens" drama market. Unresolved endings and multi-layered relationships are too much like real life, and people hate real life, right?

Then along comes Big Night, an indie film that enjoyed US acclaim, much to the bemusement of fat Hollywood moguls. In short, it's a charming, slightly quaint tale about brotherly angst and top-notch grub. Using foodstuffs as a metaphor, Campbell Scott and Stanley Tucci (co-director, writer and actor) explore Primo and Secondo's differing attitudes to life. Primo is a purist who sees the tradition of Italian food as far more important that pandering to the average American's crude palette; and Secondo knows how close to catastrophe their business is skipping. Big Night is, if you will, The Brothers McMullen with pasta.

The remarkably entertaining story of two brothers, one mistress and tagliatelle.

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