Better Call Saul S1.06 "Five-O" review

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Considering that it’s writer Gordon Smith’s debut script for television, “Five-O” is a remarkable achievement. It’s also Better Call Saul’s first masterpiece.

Finally revealing the circumstances that led to Breaking Bad regular Mike Ehrmantraut leaving both the police force and the path of the straight and narrow, it’s a gripping, self-contained thriller, with some very emotionally affecting scenes.

Featured Music

Heard playing in the cop bar Mike visits: “It Came Out Of The Sky” by Creedence Clearwater Revival and “Hold On Loosely” by 38 Special. Playing over the end credits: “Tune Down” by Chris Joss.

Given a chance to show that there are more strings to his bow than taciturn menace and world-weary laconicism, Banks bats it out of the park. The two-hander scenes between him and Kerry Condon (Mike’s widow, Stacey) are compelling, and as this seemingly unstoppable force chokes back the tears and declares, “I broke my boy”, you may come very close to breaking yourself.

A great episode, then, even though it puts the star of the show in the shadow. If we have one reservation, it’s that Better Call Saul’s first classic focuses on a character from Breaking Bad. Hopefully, one day we’ll be just as emotionally invested in a new character like Kim or Chuck McGill, but right now it doesn’t seem all that likely.

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The one whereWe learn all about the personal tragedy driving Mike Ehrmentrauts character.
WriterGordon Smith
DirectorAdam Bernstein
Deputy Editor, SFX

Ian Berriman has been working for SFX – the world's leading sci-fi, fantasy and horror magazine – since March 2002. He's also a regular writer for Electronic Sound. Other publications he's contributed to include Total Film, When Saturday Comes, Retro Pop, Horrorville, and What DVD. A life-long Doctor Who fan, he's also a supporter of Hull City, and live-tweets along to BBC Four's Top Of The Pops repeats from his @TOTPFacts account.