Top 7… Trippiest dream sequences in video games

Years before Inception made group-dreaming hip, the family from Springfield all took a trip together in one of their earliest video game appearances. The Simpsons Arcade is your traditional '90s beat-'em-up and it takes players through many weird scenarios before even heading to dream land. Then, after beating up a family of bears (don't ask), the adventure gets really odd when the entire family almost drowns and shares a near-death dream together.

The murky dream world reflects the combined subconscious troubles of Homer, Bart, Marge, and Lisa. They battle walking donuts, clouds shaped like Marge's head, floating saxophones, and nuclear radiation suits with invisible men inside. They seem to represent the personal fears and insecurities all of the Simpsons face, though I'm not qualified to diagnose why they all battle a massive bowling ball man at the end of the level. Perhaps bowling takes up so much of Homer's time that everyone else resents the level of importance he treats it with. That, or they all have an unnatural fear of bowling balls.

Although the Metal Gear Solid series just keeps on going, the fourth game seemed pretty final when it launched in 2008. It wraps up almost every plot thread and character arc, including bringing players back to the setting of the first MGS, Shadow Moses. Solid Snake and Otacon are chasing the diabolical Liquid Ocelot to the old base, but before they actually arrive Snake has a very vivid flashback.

MGS4's fourth act begins by booting up the PlayStation version of Shadow Moses, with the stiff character movements and grainy textures you expect from 32-bit polygons. Game director Hideo Kojima is known for messing with fans, so you don't know how long the impressively accurate flashback will last. It ends a couple minutes later with Old Snake snapping out of this nightmare, and you then get to explore current Shadow Moses that's rendered gorgeously by the PS3.

A common misconception about Tomodachi Life is that it's a sim game. In actuality, it's a random humor generator where tiny Mii avatars face the oddities of everyday life. Some of the game's best moments of weird fun are when you can see a Mii's random dreams. All the brief fantasies are unpredictable nonsense that are good for a chuckle, and some even give you a gift for your troubles.

The most weirdly entertaining Tomodachi dreams include two Miis driving endlessly in search of the right road, a pair of food items announcing their plan to get married, and giant heads rising out of the ocean. My personal favorite of the diverse set of nightmares has to be your Mii feeling watched, only to have the player's face (via the 3DS camera) appear in the window, a realization that shocks the Mii awake. Without using anything truly horrifying, Tomodachi Life shows that some of the scariest nightmares are the ones that are all too real.

The original Max Payne is about as grim and gritty as a shooter can get, but it also has some of the most unnerving dream sequences in gaming. After gunning down dozens of mobsters in slow motion, fallen hero Max has some very troubling dreams set in his old home. The shifting walls and deep reds and greens amp up the unease as players search for a way out of the maze of his subconscious, all while a baby's wails slowly rise in the background.

Exploring these stages is often frustrating, but this abstract visualization of grief and fear are also some of the more memorable in Max Payne's history. It gets even trippier with fourth wall-breaking suggestions that Max is merely a puppet controlled by others in a PC game. To paraphrase Sigmund Freud, sometimes a cigar is just a cigar, and sometimes a crying baby is just a representation of the death of your family, your quest for redemption, and your ultimate powerlessness in the world.

Ever have that dream where you're back in your childhood home, but everything is a little... off? Like, your mom isn't making eggs just the way you like, and she's also a weird silhouette version of herself. And then you come across your childhood crush, only they're accompanied by a glowing unicorn that no one even acknowledges. Then a woman in red leather starts a boss fight and shoots blood at you. That's Killer Is Dead's dream sequences in a nutshell.

These nightmares belong to protagonist Mondo Zappa, and the dreams are some of the few memories he has left. He knows that--as a child--he watched a girl named Moon River drown, and that he likes his eggs over-easy. It's an off kilter segment for sure, one that includes a boss battle that drops the game's normal third-person view to instead have the fight play out through the big bad's eyes. The dream sequence is supposed to work as a major plot revelation, but it's so very strange that it's tough to pin down what exactly that is, even after you finish the game.

So ends our brief, trippy excursion into the land of dreams, but if you have any other visions that have stuck with you, feel free to share them in the comments. Hell, if you want to share your own dreams about video games, that's fine too.

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