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Asghar Farhadi’s follow-up to the terrific A Separation sees him moving from Iran to France.
Directing through an interpreter, he’s managed to coax a devastating performance from Bérénice Bejo (who took Best Actress at last year’s Cannes) as a serial monogamist mother.
Radically u-turning from the breezy charm of The Artist , she saves the film, mostly because its plot – Iranian husband (Ali Mosaffa) returns to France to divorce Bejo’s Marie, secrets are revealed – comes dangerously close to perpetuating rational man/hysterical woman stereotypes.
And however much the arthouse trappings try to hide it, the silly late act twists belong on an episode of EastEnders.
Eric Barone quietly reveals new Stardew Valley update that's a game changer for honey farming: "Life will never 'bee' the same"
My next Metroidvania kick is an ingenious mix of Zelda-like exploration, twin-stick combat, and pitch-perfect controls – with 97% positive Steam user reviews
Wait a minute, Bandai's latest anime game actually looks pretty good: a console and PC action-RPG city builder based on one of the best video gamey anime in years