Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

Made in 1960, the first big-screen outing for Patricia Highsmith’s talented Tom Ripley introduced audiences to one of crime fiction’s great anti-heroes – and made a star out of Alain Delon.

The shape of the plot, in which Ripley schemes to usurp the identity of a wealthy acquaintance, will be familiar if you’ve seen the 1999 version .

Yet René Clément’s take offers its own pleasures, from the sun-bleached lensing to Delon’s charisma.

Tempering Hitchcockian intent with the experimentalism of the French New Wave, the result is as seductive as it is suspenseful: a bracing study of amorality.