Parting Shots review

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In the very middle of Middle England, something very horrible is happening. Among all those impeccably manicured gardens, neatly cut hedgerows and umbrella-festooned country pubs, a flabby, ageing singer is shuffling around with an automatic, killing people. He doesn't always shoot them, though: he drowns one and blows up another.

Welcome to the unpleasant world of the Michael Winner comedy, where fraud, bullying and bad manners are punishable by death, and where each brutal murder is accompanied by a jaunty, Last Of The Summer Wine-style musical backing. Anyone unfamiliar with restaurant critic and News Of The World columnist Winner's career as a film-maker should look to Death Wish and Hannibal Brooks for his, um, 'best' work, and Dirty Weekend and Won Ton Ton, The Dog Who Saved Hollywood for his worst... Until now, that is.

During this period of vitality for the British film industry, it's horribly sobering to realise that tat like this is still being greenlighted. Parting Shots makes Carry On Columbus look like The Ladykillers. If you can get your head round that.

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