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Historical accuracy and a sprinkle of realism – two elements that not all RPG developers tend to prioritize always, but there are definitely those who still do in favor of a more immersive and engaging experience for players overall.
Joshua Eric "Josh" Sawyer, who is best known for his work on genre gems like Fallout: New Vegas and Pillars of Eternity, is one such dev. He reveals as much in a recent interview with PC Gamer, explaining that he's taken this kind of approach to his games, "going all the way back to Icewind Dale" – the 2000 Dungeons & Dragons-based RPG he helped design. "It's always something that I tried to do in my own, personal tabletop settings," too, he says.
Sawyer continues: "That's kind of what makes post-apocalyptica interesting, is the struggle. So what are they struggling with and how are they trying to overcome it? And I think maybe that's why some people kind of got aggravated with New Vegas being post-post-apocalyptic. But in my mind, I figured, 'Well, after all this time, people are gonna start to try to do things and grow food and rebuild trade and currency, and things like that…"
The New Vegas mastermind then admits, "I think just over time, it's become more and more a part of how I think about designing settings and stories." Pillars of Eternity sequel Deadfire is another solid example, as "how the factions worked was very historically inspired," according to Sawyer. "Having two colonial factions that were vying against one native culture – this is a thing that has happened historically, a ton – the dynamic becomes very interesting."
That's "because the native culture is trying to play those powers off against each other, and so the struggle, the dynamic becomes more interesting" – in other words, the sliver of realism is part of what gives the game more oomph. It's not always easy to keep things realistic, though. Sawyer points to teleportation as an example of the difficulty, and how he "was very careful to frame it" in a way that made sense for the Pillars of Eternity follow-up's setting.
"It was very controlled, because I have this pet peeve that, once teleportation becomes real, anywhere, everything you understand about logistics and trade and everything, everything, everything changes. So I try to be very careful with how teleportation works in settings, because I want to maintain the sense of space and mystery… I think it makes it easier to make stories that are believable, because you understand basic human needs."
His words here make sense – as a longtime RPG enjoyer (especially those that lean more into the fantasy side of things), a little bit of historical accuracy and realism goes a very long way in making an immersive game that keeps me engaged and hooked.
