2046 review

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Originally mooted as a partner-piece to 1999's In The Mood For Love, Wong Kar-Wai's elegant follow-up endured an elongated production and calamitous Cannes before finally reaching final cut. If the director seems to 'find' his films in the editing room, this one must've been in hiding.

Now it's here, 2046 still evades easy grasp. Unfurling like hazy wisps of cigarette smoke, it outstrips its predecessor in elevating tone and feeling over plot and character. What it does, certainly, is create in style the state of suspended animation that Tony Leung's heart-broken Chow exists in. Unable to go back or move forward, he instead reflects on the past while composing imaginary futures from a stalled present. There, Chow indulges his feelings for several cinematic-looking women by filtering them through his novel about a train that transports people to the year 2046, where memories don't change.

Lush, lovesick, languorous... 2046 is one long teary swoon. Its mood of reflection, stasis and future-dreaming will leave you haplessly wooed.

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