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Murphy Pendleton stands in an alley with a pipe in Silent Hill: Downpour

Silent Hill: Downpour devs reflect 12 years on: "Stop trying to be Japanese scary, and just be Czech scary"

By James Winspear published

Features Feature | An attempt to refresh things, this very different take was the last mainline Silent Hill

Features
A frozen child sits on a swing in the key art for Silent Hill: Shattered Memories

Silent Hill: Shattered Memories is "a weird-ass postmodern riff" on the PS1 original says Sam Barlow, talking the development 15 years later

By James Winspear published

Features Feature | This return to the very first game broke apart everything you knew and rebuilt it in a truly chilling fashion

Features
Artwork of blobs to promote Archer Maclean's Mercury

"Sony would also turn to Mercury for all their tech demos for publishers": Jeb Mayers talks us through the creation of the portable puzzler

By Nick Thorpe published

Interview Feature | The mini making of Arthur Maclean's Mercury

Interview
The clip selection screen in Immortality, highlighting a clip of Marrisa Marcel with the director of Ambrosio

"Part of the genesis of Immortality was the three years I spent making a Legacy Of Kain game that got cancelled": Sam Barlow on the making of his "interactive movie"

By Jess Kinghorn published

Features Feature | "People kept calling these things 'interactive movies, and I was like, 'Yeah, they're not really, but okay. Let's do it. Let's do it. Let's make an interactive movie!'"

Features
The main characters in Pyre stand together and look into the distance, ready for the next match

Goal Oriented: How do developers invent their own sports – even when they're not too fond of the real thing?

By Alex Spencer published

Features Feature | "What I've realised is that any turn-based strategy game, like a Fire Emblem or XCOM, those are basically sports games"

Features
games like Resident Evil - Bioshock

BioShock Infinite “may not have been the thing I wanted, but that doesn’t necessarily mean it wasn’t the thing the audience wanted”: Ken Levine guides us through his entire gameography

By Jeremy Peel published

Features Edge: The Collected Works | From immersive-sim innovation, through undersea peril, and onto new beginnings back out in space, Ken Levine talks through his impressive and iconic gaming portfolio in his own words

Features
The key art for Baldur's Gate 3 showing dragons and the Nautilus, with Karlach standing in the foreground, weapon in hand

The Making of Baldur's Gate 3: "We really wanted to make it so that even if you don't know D&D or Baldur's Gate, you would still have exciting choices as a player"

By Jeremy Peel published

Features Feature | Edge Magazine: Larian fought with cinematics, embassies and the expectations of BioWare fans to make the RPG of the decade

Features
Master Chief takes a knee in a landing pose in a chaotic, wartorn backdrop, looking forward at his next objective in Halo 4

AAA – Developers discuss the three little letters that have shaped an industry: "It's a stupid term. It's meaningless"

By Edwin Evans-Thirlwell published

Features Feature | Edge talks to developers to unpack the baggage around the blockbuster marketing term

Features
A crop of the key art for Silent Hill: Homecoming used on the box, showing a family portrait scuffed and rusted

"At the time survival horror was changing. 'How action-oriented do we get?'": 16 years on, Tomm Hulett reflects on Silent Hill: Homecoming

By James Winspear published

Features Feature | Go big or go home? The developers of this series entry decided to do both when Silent Hill landed on PS3 and Xbox 360

Features
Cloud gazes over Corel North in Final Fantasy 7 Rebirth

The Making of Final Fantasy 7 Rebirth: "I thought: if we just reproduce the original game with no changes, it will feel nostalgic, but not exciting"

By Simon Parkin published

Features Feature | Edge Magazine: Remaking an iconic game was daunting enough – then the developers faced the difficult second entry.

Features
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