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GTA 6: Everything we know so far
By Sam Loveridge last updated
Guide GTA 6 is coming in 2026, and here's all the latest news and updates from Rockstar Games while you wait

Razer's Gengar headset is everything I've ever wanted in a Pokemon gaming accessory
By Rosalie Newcombe published
News I've been testing the Razer Pokemon Gengar Kraken Kitty V2 headset, and it's just as wonderfully spooky in person as I thought it'd be.

Palworld dev pushes back on Early Access criticisms, points to examples like Baldur's Gate 3 and Satisfactory: "Games only get better when the players are involved"
By Anna Koselke published
News "We're not silly enough to think we know best"

Battlefield 6 makes changes to movement in Labs, and players can't decide if things have been "overnerfed" or if the new risk/reward tweaks make the FPS more grounded
By Scott McCrae published
News "The movement in Battlefield 6 was nowhere near good enough to warrant any sort of nerf"

God of War star Christopher Judge seems to debunk rumors he'll play live-action Kratos in Amazon's adaptation: "I am?"
By Molly Edwards published
News Casting for the show hasn't yet been announced

The Batman 2 may be the end of the road for Robert Pattinson's Dark Knight as director Matt Reeves says he doesn't know if The Batman 3 will happen
By Megan Garside published
News Could The Batman Part 2 be the final outing for Robert Bat-tinson?

The Disco Elysium spiritual successor rivalry gets even more confusing as one of the studios made of former ZA/UM devs change their new RPG's name and gameplay style
By Catherine Lewis published
News XXX Nightshift is now Tangerine Antarctic

Nightcrawler actor Alan Cumming hints an unannounced X-Men star could appear in Avengers: Doomsday
By Molly Edwards published
News Could Storm be returning?

Tencent responds to Sony lawsuit calling its new open-world survival game a "slavish" Horizon Zero Dawn clone, says it's "an improper attempt to fence off a well-trodden corner of popular culture"
By Anna Koselke published
News The company argues that Sony "tries to transform ubiquitous genre ingredients into proprietary assets"
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