Skip to main content
GamesRadar Editor's Choice

Limbo review

A geniune masterpiece. Part platformer, part puzzler, but much more than either. It's something you NEED to experience


  • Amazing atmosphere
  • Clever
  • organic puzzles that don't get tired
  • Captivating visual style


  • Could have been longer
  • Late-game platforming can feel very slightly clunky
  • Lower-end PCs may experience control input lag

Note: We experienced a PC-specific issue that doesn't occur on all systems - see the end of the review for details.

Recently released on Steam, PlayDead’s Limbo is an experience you won’t find anywhere else. You know that feeling you get after a really intense, really weird dream? You know, that uneasy sense of dislocation asyour head continues toreel from the impact of what you perceived the night before? That strange, swirling feeling ofan unsettlingsignificance, the source of which you can’t quite put your finger on? Limbo is dripping with that.

It isn’t just a platformer. It isn’t just a puzzler. It’s both of those things, but it’s also much, much more. It’s also a deeply affecting, at times absolutely terrifying emotional experience, with real weight and a subtle but densely-layered narrative. Things won’t look the same after you’ve finished it. Here’s why.

It has an aesthetic you can drown on

I promise you, you have not experienced anything like Limbo in the video game medium. Maybe in film, if your cinematic tastes lean towards the seriously left-field, but in terms of the look, sound, and most importantly the feel of the world you’ll explore, Limbo is on a level you haven’t imagined before. Forget the fact that it’s 2D. That’s irrelevant. Limbo exists in a world as cohesive and well-realised as any in gaming, but far more textured and complete than most.

Above: The sense of nightmarish isolation is there throughout every platform and puzzle

It’s not just the black and white silhouettes, though they’re insanely powerful and affecting. It’s the way Limbo’s haunting, mournful looks interplay with an ambient soundtrack at times unsettling, at times downright scary and at times eye-wateringly beautiful. With deft changes in Limbo’s fuzzy, diffused lighting and the tone of its soundscape, its atmosphere can shift seamlessly from nightmarish to redemptive within seconds. And as I’ll detail a little further on, this is all far more than game design sleight of hand. It’s used with finesse and intelligence to pack real punch and significance along the way.

The gameplay is pure, simple sophistication

Limbo’s central mechanics are defined by the fact that there really aren’t any. That’s a confusing statement, I realise, so let me explain. The only controls you have are simply thearrow keys tomove The Boy and make himjump (just press up), and a multi-purposekey (ctrl)for interactions with the environment. Primarily used for activating devices and grabbing things in order to move them around, it’s all you need in order to navigate every hazard and antagonist The Boy encounters.

Above: Forget jumping over it or hitting itwith a Chris Redfield punch. Things in Limbo require a realistic angle

There’s no central mechanic or trick to master. Every one of Limbo’s puzzles is a physical environmental challenge overcome by logical (and sometimes incredibly precise) manipulation of the game’s realistically implemented physics model. Every solution is right there on the screen in front of you. Nothing is ever hidden and no power-ups are ever required. It’s all a case of instinct and lateral thinking. If a solution would work in the real world (albeit a 2D real world), it will work in Limbo. Speed of movement, inertia, even vibrations and blunt force come into play at every turn, giving Limbo’s game mechanics both an elegant simplicity and a satisfying complexity, albeit one that’s refreshingly clear and instinctive to overcome.

Above: The boy is aware of his surroundings, but will sometimes only come to understand them directly

Need to obtain an object that’s suspended high above you by a rope? Find your way up there, use it as a platform, then jump to break that rope and drop it to the ground. Need to stack two crates on top of each other? Drop one on the end of the moving platform that’s sliding in and out of the wall, then quickly push the other underneath it as the retraction pushes it off. Is a weak surface cracking beneath your weight? What would happen if something hit it with more force?

And the best part is that Limbo has a Mario-Galaxy-style philosophy to reusing ideas. In that it doesn’t. With no central tricks or moves to dictate the gameplay, it’s able to explore The Boy’s influence on the world around him with complete freedom. Every puzzle requires a different approach or a new way of thinking, and any concept that is repeated is expanded upon immensely as it progresses. Limbo is a game that really trusts the player to think. There is no tutorial beyond what you learn of your abilities first-hand, and every solution comes about through nothing less than creative thought and experimentation. As well as bringing about fantastic gameplay, it’s a philosophy that also creates a powerful bond with The Boy himself. And that's even more important when you consider that...

More info

DescriptionLIMBO puts players in the role of a young boy travelling through a hostile black and white world in an attempt to discover the fate of his sister
Platform"PS Vita","PS3","PC","Xbox 360"
US censor rating"Teen","Teen","Teen","Teen"
UK censor rating"","18+","18+","18+"
Release date1 January 1970 (US), 1 January 1970 (UK)
Long-time GR+ writer Dave has been gaming with immense dedication ever since he failed dismally at some '80s arcade racer on a childhood day at the seaside (due to being too small to reach the controls without help). These days he's an enigmatic blend of beard-stroking narrative discussion and hard-hitting Psycho Crushers.